Media Art History 2011 - Rewire

Fourth International Conference on the Histories of Media Art, Science and Technology
Liverpool, 28th September - 1st October 2011
Call For Papers now open - Deadline Monday, January 31st 2011

http://www.mediaarthistory.org

Host: FACT (Foundation for Art and Creative Technology), Liverpool
In collaboration with academic partners: Liverpool John Moores University, CRUMB at the University of Sunderland, the Universities of the West of Scotland and Lancaster, and the Database of Virtual Art at the Dept. for Image Science, Danube University Krems.

Following the success of Media Art History 2005 Re:fresh in Banff, Media Art History 2007 Re:place in Berlin and Media Art History 2009 Re:live in Melbourne, Media Art History 2011 Rewire will host three days of keynotes, panels and poster sessions.

Media Art History 2011 Rewire will increase the voltage and ignite key debates within the internationally distributed network of histories, which takes account of the questions surrounding documentation and methodologies, materiality, and agency. Rewire aims to up the current to illuminate the British contribution to media art, and by looking at our industrial heritage and contribution to the history of computing technologies themselves, we will open the discussion to how these contributions are manifested internationally. Considering the International scope of the histories of media art, science and technology, Rewire is also listed as part of the "McLuhan in Europe" programme, and will take place concurrently with The Asia Triennial in Manchester and Abandon Normal Devices, the North West's festival of new cinema and digital culture which returns to Liverpool in September 2011. The reviewers especially welcome proposals for presentations that resonate thematically with these events.

For the full Call for Papers, and to submit an abstract, please visit:http://www.mediaarthistory.org/rewire

Canada's Biotechnology Strategy: Struggles on the Knowledge Commons Featuring: Wilhelm Peekhaus

From Michael Zimmer, PhD
Assistant Professor, School of Information Studies
Director, BS in Information Science & Technology Program
Associate, Center for Information Policy Research
University of Wisconsin-Milwaukee

w: www.michaelzimmer.org

The Center for Information Policy Research (CIPR) in the School of Information Studies announces the following research presentation:

Canada's Biotechnology Strategy: Struggles on the Knowledge Commons

Featuring: Wilhelm Peekhaus, PhD (2010-2011 CIPR postdoc)

November 18th, 2010
Time: 12:15 -1:30
Location: Bolton Hall, Room 521

This talk reports on research that interrogated the various forms of social struggles that have emerged in defiance of the progressive enclosure of agricultural biotechnology within the social factory. An emphasis on the information and knowledge issues embodied in these conflicts, aside from potentially being indicative of the scope of the social factory, holds the promise of cementing an important bridge between Library and Information Studies (LIS), with its concern over information flows and the information cycle, and political economic and public policy disciplines. I contend that the multiple information issues that inhere in biotechnology, ranging from intellectual property concerns in respect of genetic information to the contested nature of regulatory and public biotech discourses, render LIS a wholly apposite discipline within which to situate a critical analysis of this technoscience that goes beyond the current LIS engagement with bioinformatics.

Additional details at: http://www4.uwm.edu/sois/news/events/cipr_peekhaus_111810.cfm

New Media Positions at Georgia State University

From Brad Litchenstein, aka @bradleyLbar
New Media Positions at Georgia State University

New Media and Documentary Investigation
Interactive Media Design
Digital Humanities
Digital Music Technology

http://www.cas.gsu.edu/secondcentury_newmedia.html#interact

Media Studies Colloquium Friday Nov 12, 1pm Merrill 347

From Elana Levine

Associate Professor

Director of Graduate Studies, Media Studies M.A.

Department of Journalism and Mass Communication

Just a reminder that we will gather for a Media Studies graduate program colloquium on Friday, Nov. 12 from 1 - 2:15 PM in Merrill 347. Presenting will be:

Weiai Xu, "Exotic Disease or Local Disease? Framing Analysis of H1N1 Swine Flu coverage on Chinese Media"

Dugan Nichols, "The Connected Dots of Waco and Oklahoma City: Media Frames of Timothy McVeigh"

Derek Granitz, "Government Health Care that Never Was: Print News Media Framing of the Public Option During the 2009 Health Care Reform Debate"

All are welcome.

Library trials of useful databases

From Elana Levine

Associate Professor

Director of Graduate Studies, Media Studies M.A.

Department of Journalism and Mass Communication

University of Wisconsin-Milwaukee

Thought you might be interested to know that the UWM Libraries have subscribed to trial versions of a few useful databases for people doing media-related work, namely the Film and Performance Arts databases through Proquest and the Film and Television Literature Index with Full Text. You can access both http://guides.library.uwm.edu/trials. There is a space to enter feedback, which I imagine might encourage the library to subscribe permanently. So please check them out, and write some comments. Would be great to have these resources available to us. I know that I will be encouraging my students to use them, as well, while they still have access.

Elana

List of Digital Arts and Culture Invitees/ Collaborators

Digital Arts and Culture Faculty Collaborators

to be added or removed from this list, please contact mtasman(at)uwm.edu

Anthropology

Thomas Malaby

Art & Design

Heather Warren-Crow

Lee Ann Garrison

Shelleen Greene

Colleen Ludwig

Lisa Moline

Nathaniel Stern

Art History

Jennifer Johung

CEAS > Computer Science

Ethan Munson

Communication

Sandra Braman

English

Gilberto Blasini

David Clark

Lane Hall

Tasha Oren

Pete Sands

Tami Williams

Anne Wysocki

Music

Chris Burns

History

Jasmine Alinder

JMC

David Allen

Elana Levine

Barbara Ley

Michael Newman

Marc Tasman

Sociology

Aneesh Aneesh

SOIS

Elizabeth Buchanan

Thomas Haigh

Michael Zimmer

Artist Clarissa Sligh Oct 19

This just in from Jasmine Alinder, Associate Professor and Co-Coordinator of Public History at UW-Milwaukee.
Sounds like not to be missed.

Photographer and book artist Clarissa Sligh will offer a presentation in the Ettinger Book Artist Series on Tuesday, October 19, 2010 at 7:00 p.m. in Special Collections on the fourth floor of the Golda Meir Library.

Combining photographs, drawings, and texts, Sligh’s installations, alternative photographs, and artist’s books are personal and political reflections of her life experiences as a female African American, beginning at fifteen when she was the lead plaintif in 1955 in Virginia.

Clarissa Sligh’s presence in Milwaukee is a collaboration with Woodland Pattern Book Center, where she will offer a workshop on Sunday, October 17. She will also offer a workshop for selected students at UWM.

For more information on Clarissa Sligh and her work, please visit her website at: http://clarissasligh.com/index.html

From UWM Campus Announcements:
http://www4.uwm.edu/news/announcements/?action0=announcements_detail&item_id=15004

Richard Grusin, C21 talk

Looking forward to Richard Grusin's talk today at 3:30 in Curtain Hall, 175.

DAC blog 3.0

The DAC spheres of intermedia are undergoing an overhaul under the direction of DAC coordinator, Marc Tasman and DAC Program Assistant, Matt Trease. In the meantime, let's ressurect the DAC blog under the new address, digiartsarchive.blogspot.com. CLEAR! cachunk

'Zine and Screen

Coordinator will accept this course for a DAC Practicum elective:
Practice based, creative production + writing


English 414-003
 Special Topics in Creative Writing: ‘zine and screen

F 9:30-12:10
Lane Hall

Course Description

This creative writing workshop will focus upon experimental narrative, including image & text relationships as we work to gain deeper understandings of how media and materials actively construct meaning. Projects will be produced in ‘zine and screen formats. Digital production experience is not required though a readiness to explore diverse creative processes is essential.

Internet Research 10.0 -- Internet: Critical

Internet Research 10.0 - Internet: Critical

The 10th Annual International and Interdisciplinary Conference of the Association of Internet Researchers (AoIR)

October 7-11, 2009
Hilton Milwaukee City Center
Milwaukee, Wisconsin, USA

As the Internet has become an increasingly ubiquitous and mundane medium, the analytical shortcomings of the division between the online and the offline have become evident. Shifting the focus to the fundamental intermeshing of online and offline spaces, networks, economies, politics, locations, agencies, and ethics, Internet: Critical invites scholars to consider material frameworks, infrastructures, and exchanges as enabling constraints in terms of online phenomena.

Furthermore, the conference invites considerations of Internet research as a critical practice and theory, its intellectual histories, investments, and social reverberations. How do we, as Internet researchers, connect our work to social concerns or cultural developments both local and global, and what kinds of agency may we exercise in the process? What kinds of redefinitions of the political (in terms of networks, micropolitics, participation, lifestyles, resistant or critical practices) are necessary when conceptualizing Internet cultures within the current geopolitical and geotechnological climate?

To this end, we call for papers, panel proposals, and presentations from any discipline, methodology, and community, and from conjunctions of multiple disciplines, methodologies and academic communities that address the conference themes, including papers that intersect and/or interconnect the following:

* critical moments, elements, practices
* critical theories, methods, constructs
* critical voices, histories, texts
* critical networks, junctures, spaces
* critical technologies, artifacts, failures
* critical ethics, interventions, alternatives.

Sessions at the conference will be established that specifically address the conference themes, and we welcome innovative, exciting, and unexpected takes on those themes. We also welcome submissions on topics that address social, cultural, political, legal, aesthetic, economic, and/or philosophical aspects of the Internet beyond the conference themes. In all cases, we welcome disciplinary and interdisciplinary submissions as well as international collaborations from both AoIR and non-AoIR members.

SUBMISSIONS
We seek proposals for several different kinds of contributions. We welcome proposals for traditional academic conference PAPERS and we also welcome proposals for ROUNDTABLE SESSIONS that will focus on discussion and interaction among conference delegates, as well as organized PANEL PROPOSALS that present a coherent group of papers on a single theme.

DEADLINES
Call for Papers Released: 17 November 2008
Submissions Due: 1 February 2009
Notification: 15 March 2009
For more, see http://ir10.aoir.org/

New Course in Art History

Look at this course description for the Spring for 2009 taught by Jennifer Johung:

ARTHIST 499: The History and Theory of New Media Art
TR 11-12:15
This course introduces students to the history and critical theory of new media artworks, focusing on artists who utilize interactive technologies. The course will outline the history of telecommunications and basic networking technologies as well as the forms and concepts of interaction and participation related to them. We will examine the aesthetic and technological possibilities for artists working within networked environments, exploring a range of projects such as Internet art and immersive installations, hyper-linked environments, telepresence and telerobotics, artificial life and intelligence, mapping and locative media projects using mobile devices such as PDAs, cell-phones, and GPS systems, social networking sites, net activism, and bio and nanotechnology.

Street With A View

Street With A View

View Larger Map
From Lane Hall, purveyor of fine DAC websites.
Note Milwaukee's own genius and hero, Nicolas Lampert wih his Attention! Chicken on the street.

Artists Robin Hewlett and Ben Kinsley invited the Google Inc. Street View team and residents of Pittsburgh’s Northside to collaborate on a series of tableaux along Sampsonia Way. Neighbors, and other participants from around the city, staged scenes ranging from a parade and a marathon, to a garage band practice, a seventeenth century sword fight, a heroic rescue and much more...

Blogger Arrested for Leaking Songs from Unreleased Guns N' Roses Album

From Citizen Media Law Project:

Kevin Cogill, a blogger on Antiquiet, a site that provides "uncensored music reviews and interviews," was arrested August 27, 2008 at his home near Los Angeles on suspicion of violating federal copyright law after he allegedly posted nine songs from the unreleased -- and highly-anticipated -- Guns N' Roses album "Chinese Democracy."

The original complaint charges charges that he "knowingly and willfully distributed a copyrighted work being prepared for commercial distribution, namely nine previously unreleased songs by the band Guns n' Roses, by making the songs available on a computer network accessible to members of the public."

Total Recut Remix Culture Contest

Thanks Elana Levine for the notice via Henry Jenkins' Blog:

Create a short video remix that explains what Remix Culture means to you. Using video footage from any source, including Public Domain and Creative Commons licensed work, we want you to produce a creative, educational and entertaining video remix that communicates a clear message to a wide audience. The video is to be no shorter than 30 seconds and no longer then 3 minutes in duration.

This contest is open to anyone of any age from any part of the world. The judges are Larry Lessig, Henry Jenkins, Pat Aufderheide, JD Lasica, Kembrew McLeod, Mark Hosler and Luminosity.

The contest will begin in May ’08 and will be open for 1 month. Public Voting will begin in June and will remain open for 2 weeks, after which the best 10 videos will be put forward into the final and the Judging Panel will vote on each one. The winner will be announced in July ’08.

Photosynth: Movable, zoomable spaces.

Isral DeBruin sent me this link. Also seen at the World Making Conference last month, presented by Anne Friedberg.
Blaise Aguera y Arcas is an architect at Microsoft Live Labs, architect of Seadragon, and the co-creator of Photosynth, a monumental piece of software capable of assembling static photos into a synergy of zoomable, navigatable spaces.
Too bad (but of course) it's not available for anything but Windows operating systems.

LOCALLY GROAN - You Have Homework To Do! Ta Da! at UWM Union Theater

On May 8, 2008, The Archaeology of the Recent Future Association presents Locally Groan, You Have Homework To Do! Ta Da! ‐ an evening of new films, videos, and live performance by over 25 local Milwaukee artists. “Locally Grown” screenings, held at the UWM Union Theater, are always free & open to the public. This year’s festival will be a little different in that local artists were asked to complete an “assignment”, and make a new piece especially for the show. So, instead of curating, the curators handed out some homework. Specifically, participants were asked to complete one of two assignments: Using only one 100-foot roll of 16mm film or three minutes of video, create a film and present it with a recorded or live soundtrack. Inspired by Dadaist exquisite corpses and madcap collaborations, the hope is that the assignment's "rules" will create a joyful challenge for the makers as well as inspire an unexpected new piece for us all to enjoy. The results will be revealed at a screening on MAY 8, 2008, in a celebration of our community's ingenuity, sweetness, humor, and talent.

Participating Artists:
Jesus Ali, Sam Augustine, Trevor Berman, Jeremy Bessoff, Anne Bisone, Robyn Braun, Ray Chi, Portia Cobb, Brent Coughenour, Jamal Currie, Allison Halter, Kati Katchever, Kelly Kirshtner, Laura Klein, Xav Leplae, Andrea Maio, A. Bill Miller, Erik Peterson, Kate Raney, Mat Rapaport, Joseph Reeves, Ryan Szarnowski, Marc Tasman, Chris Thompson, Renato Umali, Celeste Verhelst, Steve Wetzel

For more information, visit: citizenandneighbor.blogspot.com, or email: citizenandneighbor@gmail.com

Poetry Everywhere, on Transit TV, too

Sounds like a festival, with a bus showing videos, balloons, and free food from Cafe Hollander--fun for the entire family:

A launch party for Poetry Everywhere, a locally grown national project will be Tuesday April 29, 7pm, Downer Avenue - Harry W. Schwartz Bookshop (2559 N. Downer Ave).

Fifteen animated Poetry Everywhere films created by students working with docUWM, a documentary media center at the University of Wisconsin-Milwaukee, and the university's creative writing program, in association with the Poetry Foundation, will debut online and on Transit TV throughout the coming months. Aiming to focus a new generation of filmmakers on poetry as subject matter, the project encouraged film students to read widely from the canon of contemporary poetry and, working closely with poets and scholars, effectively translate poetry to the screen using an array of film and animation techniques. The docUWM films feature a wide range of contemporary poems and poets, including Lucille Clifton's "mulberry fields," Robert Creeley's "The Language," and Lyn Hejinian's "Eleven Eyes."

More info:

Journal Sentinel
PBS/WGBH
Poetry Foundation

iTunes

More info on the event is at Harry Schwartz's website.

World Making: Art and Politics in Global Media

From Lane Hall:
This next week we have some great speakers coming in for the Center for International Education conference, "World Making: Art and Politics in Global Media" that Patrice Petro and Lane Hall have organized. Students and faculty welcome and encouraged at the Friday and Saturday events.

Also, David Wilson (creative force behind the "Museum of Jurassic Technology" in Los Angeles) will give the keynote lecture for the conference. (wikipedia entry)

David's lecture is on Friday 18 April from 7:30-9:00 pm in Curtin 175. He
will be discussing his ongoing film project about the Russian Space
Program, and will show his work in the special way that only David Wilson
can. This is a lecture not to be missed!

Sound Effects: Gender, Race and the Cultural Work of NPR

Via Carol Stabile:


This Friday, April 4:
Jason Loviglio, Director of Media and Communications Studies at the University of Maryland, Baltimore County will speak in the History conference room, Holton 341, 3:30-5.

"Sound Effects: Gender, Race and the Cultural Work of NPR"

This talk is sponsored by: the History Department, Cultures and Communities, Journalism & Mass Communication, and Comparative Ethnic Studies. Light refreshments will be served.

Seeing Green: Art, Ecology, and Activism

Seeing Green: Art, Ecology, and Activism opens Saturday, April 12, 5:00-9:00pm at Woodland Pattern Book Center, 720 E. Locust St., Milwaukee, WI.

Seeing Green encourages artists to leave the confines of the studio and take an active role with the community, to collaborate and address issues of the environment, and to open a dialog with the public. Guest curator Nicolas Lampert invited over 40 local artists to work on a project for the duration of eight months. During the month of April, 2008 the show will be exhibited at Woodland Pattern Book Center in Milwaukee, Wisconsin where the gallery will serve as a hub space, informing the viewer and the public of the many environmental projects taking place throughout the city, exhibiting visual work and books, screening films and holding discussions and events based around the exhibition.

Calendar:
Seeing Green opens at Woodland Pattern Book Center (720 E. Locust St., Milwaukee, WI.) on Saturday, April 12, 2008, 5:00-9:00pm

Additional events:
Reading by California author Rebecca Solnit, Sunday, March 30th, 2:00pm

Curator talk by Nicolas Lampert 4:30-6:00 / Film Screening, Wednesday, April 16th, 7:00-9:00pm (Screening of 5 minute films and videos on urban ecology issues by: Lane Hall, Lisa Moline, Lindsay Holden, Brandon Bauer, Ray Chi, Laura Klein, Eddee Daniel, Suzanne Rosenblatt, Spencer Tepper, Zachary Nesgoda).

Artist/Scientist/Community Activist talk, Wednesday, April 23rd, 7:00-9:00pm
(presentations by Susan Simensky-Bietila, Chris Cornelius, RiverPulse)

Artist/Scientist/Community Activist talk, Wednesday, April 30th, 7:00-9:00pm
(presentations by Raoul Deal and Larry Adams; Mary Osmundsen, Andrea Fuentes, Jose’ Medina, Monica Gonzalez and Adolfo Garcia; Lane Hall, Lisa Moline and Dr. Rudi Strickler)

Seeing Green is co-sponsored by UWM Cultures and Communities/Institute for Service Learning Co-Sponsorship Award, the Milwaukee Arts Board, and the Windhover Foundation.

http://seeinggreenartshow.wordpress.com/

The Atlas Effect: Image Collection and Circulation in Contemporary Art

TUESDAY, MARCH 4, 2008
Visiting artist Charles Green talks about The Atlas Effect: Image Collection and Circulation in Contemporary Art at 2:30 pm in the Golda Meir Library (4th floor Conference Center ). Green, associate professor of contemporary art at the University of Melbourne in Australia , will discuss the ways contemporary artists use archives and archival strategies in their work. FREE! More info: www.uwm.edu/Library/News/atlas.html

“Milwaukee Moments” Photo Contest

From Gloria Gappa-Grundman, Milwaukee Press Club:

“Milwaukee Moments” Photo Contest Calls for City’s Most Memorable Snapshots
- Winners to be Featured at 162nd City Birthday Party, January 29 -

The Milwaukee Press Club announces a photo contest for the 162nd City of Milwaukee Birthday Party to be held January 29, 2008 at The Pfister Hotel.
“No doubt many in our city will be prompted to pull out the shoe box or dust off the photo album to pick out photos that represent the fun times and memorable moments that they’ve had with family and friends in Milwaukee,” said Julie Pedretti, chair of the City Birthday Party committee for The Milwaukee Press Club. “The popularity of electronic photos makes this contest so easy to enter.”
Enter Photo Contest at www.MilwaukeeMoments.com
Residents and media can view contest rules and entry instructions on the contest Web site: www.MilwaukeeMoments.com. Submissions must be uploaded electronically. All FedEx/Kinko’s locations throughout Metro Milwaukee are available to scan photos and assist residents in submitting their snapshots.
“Images have always been a powerful storytelling tool and our modern-day version of the folk tale,” said Pedretti. “Photos shared by those who were there often play a role in defining key moments in Milwaukee’s history. This year, the Milwaukee Press Club would like its members and the community of Milwaukee to celebrate that role.”

SPJ Apple and Adobe Media Workshop

The UWM student chapter of the Society of Professional Journalists is providing an opportunity for interested students to learn the basic skills of Adobe Photoshop , Adobe Indesign, Apple GarageBand and Apple Final Cut Pro. The workshop will be held on Monday, Dec. 3 from 7-8pm in Johnston Hall JMC computer labs (lower level).

Space is limited. Sign up sheets are located on the SPJ bulletin board across from the Journalism and Mass Communication department office (Johnston Hall, Room 117). Students can also e-mail rebeccakontowicz[at]gmail.com to make a reservation.

Colloquium: Power in the Informational State

Power in the Informational State:
The Social Effects of Information Policy

Sandra Braman
Dec. 7, 3 pm, 244 Merrill Hall


There has been a phase change—a change of state—in the extent to which governments exercise power by deliberately, explicitly, and consistently controlling information creation, processing, flows, and use. Informational power exerts its influence by altering the materials, rules, institutions, ideas, and symbols that are the means by which instrumental, structural, and symbolic forms of power are exercised. Three types of knowledge must be brought together to understand just how this change of state has come about and what it means for the exercise of power domestically and globally: In addition to knowledge of the law itself, research on the empirical world provides evidence about the policy subject (the world for which policy is made) and social theory provides an analytical foundation. Bringing these types of knowledge together makes visible the social effects of information policy as they affect identities of the state and of its citizens; the nature of social, technological, and communicative structures; the borders of those structures; and how those structures change. This talk will look at ways in which legal trends in information policy – wherever they come from across the traditional silos of the law – interact to affect society in each of these dimensions. Legal issues discussed include not only familiar topics such as intellectual property rights and privacy, but also lesser-known issues such as hybrid citizenship, the use of “functionally equivalent” borders to allow exceptions to U.S. law, research funding, census methods, and network interconnection. Such trends in information policy both manifest and trigger changes in the nature of governance itself.

RADICAL REJECT

RADICAL REJECT

“Paint the White House Black” (George Clinton)
Wanted: rejected, denied, suppressed, repressed, uncontainable ideas. This is a call for ideas that are too big, bountiful and bold. Have you ever had a project/proposal/application turned down? Received a thanks-but-no-thanks letter from an arts institution/grant dispenser/curator? This is not a show about rejection, it is a show about RADICALS who REJECT rejection, and refuse to be beat down, lie down, denied, go unheard or unseen or away. Submit your proposal, text, images, application, rejection letter, runner-up certificate or project that has been deemed too radical by the petty bougie jury/committee/overseer out there. Previous receipt of awards, grants and opportunities does not prevent you from participating. RADICAL REJECT will eventually take a printed form, so keep this in mind. Sound, video, film, etc. are welcome, but several hundred will be printed, and CD/DVD inserts may be supplied by the artist. Scripts, notes, diary entries, deleted emails, voice mail messages, torn up letters and trashed documents also welcome. Please pass this along to all who may be interested.

Submit by:
January 1, 2008
nicecookies[at]sbcglobal.net
or
RADICAL REJECT
c/o Kim Miller
2121 N. 52nd St.
Milwaukee, WI 53208
USA

AIGA UWM Driven Design Conference

2nd Bi-annual Design Conference
Saturday, November 3
UW-Milwaukee Student Union
Wisconsin Room Third Level
Registration begins at 8:30 am
Breakfast at 9:00 am
Concluding Reception at Twisted Fork, 6:00 pm

On November 3rd, the design students in the AIGA UWM chapter on campus will hold a design conference. It will feature a range of topics from screen-printing to fashion design to owning a design business and putting on a successful marketing campaign.

See conference and registration information at the AIGA UWM website, http://aigauwm.org
For further information contact Kyle Strash, AIGA UWM Event Coordinator
uwmdrivendesign07[at]yahoo[dot]com

Artist Proposes New Flag

Marc Tasman has spent much of the past year on a campaign to officially
change the design of the American flag to better reflect post-9/11 realities. On Friday October 12, 2007, he will unveil his work,
“Proposal for The New American Flag: Representing a New Constellation” at the Institute of Visual Arts (Inova/Vogel, 3253 N. Downer Ave), as part of an exhibition of work by seven artists who received Greater Milwaukee Foundation’s Mary L. Nohl Fund Fellowships for Individual Artists in 2006. The opening reception, which is free and open to the public, will take place at Inova/Vogel on Friday, October 12, from 6-9 pm and will commence with a flag raising ceremony and parade which features Tasman's three and a half year old son singing The Star-Spangled Banner. Gallery hours are Wednesday-Sunday, noon to 5 pm. The Gallery will also be open on Gallery Night and Day, October 19 and 20.

Tasman’s didactic installation includes videos, posters, maps, letters to government officials, and hundreds of the new American flags ranging in scale from four inches to nine feet. Catalogue essayist Sarah Kanouse writes: “At a cursory glance, Tasman’s flag looks the same as the familiar Old Glory, but subtle changes—nineteen stripes to
reflect the naïveté of September 10, ninety-nine stars on the blue field—clue the viewer that the state of the Union has shifted. Tasman’s flag does more than materialize the supposed historical turning point of September 11, 2001. It makes visible in iconic form the beliefs that justify profound changes in far more significant pillars of our democracy: those civil liberties established in the bill of rights and human rights standards set by international law… Tasman offers it as an
opportunity to reconsider the complex relationship between the nation, its symbols, and its future.”


Pieces of the exhibition are documented at:
http://99starflag.com

A condensed version of the Post story.

Mary Louise Schumacher's Journal Sentinel blog.

JS Online- Prized Possessions.

A Scathing/Glowing Review in the Shepherd Express.

Frontpage Milwaukee post.

The Nation.

UWM Pathervision YouTube-Tasman Flag.

Susceptible to Images.

Yo Gabba Gabba - Behind The Scenes

Inexplicably delightful and hip, Yo Gabba Gabba, began airing a few weeks ago at the end of August on Nick Jr. It's trippy and smart, with its brightly colored furry finger on pulse of the independent and DIY spirit. It was imagined by Chirstian Jacobs and Scott Schultz with the intent of hooking parents and children--it worked. Mike Newman hooked me up with their production blog, Yo Blogga Blogga.

ExxonMobil: Vivoleum is made of People

The Yes Men have presented ExxonMobil's (XOM) new plan to deal with the impending energy crisis at a development conference in Calgary: Vivoleum. By converting human remains of the victims of climate change into fuel, the survivors could live comfortably for years to come. From Pete Sands:
http://www.bittertonic.com/bitter-irene/442/exxon-will-burn-people-for-fuel

McCAW/BUDSBERG at The Soap Factory

Shana McCaw and Brent Budsberg working on the BROKEN DOWN installation in their Milwaukee studio.

McCAW/BUDSBERG COLLABORATIONS
present
BROKEN DOWN
at The Soap Factory, Minneapolis, MN
Opening: June 30, 2007 at 7:00PM

Using theatrical lighting, carefully choreographed fog machines, LEDs and 1:32 scale models, "Broken Down" transforms the decaying boiler room of the Soap Factory into a murky industrial landscape. The focal point of the installation is a small-scale semi truck stopped in the middle of a bridge spanning the space. Viewed from only two portals into the space, "Broken Down" creates an unsettling vignette, set against the hulking silhouettes of defunct industry.

More like, Too Bad about Phil Leotardo

Though I personally found the choice of Journey's Don't Stop Believin' enthralling, and the cut to black inevitable, pragmatic and pregnant with the narrative that Tony Soprano survives, but as a paranoid adrenaliniac, our colleague, Mike Newman differs. He was quoted via his blog, zigzigger on Slate earlier this month about the HBO series finale. Nice work.

At Zigzigger, media studies professor Michael Z. Newman is among the let down, writing it was "[a]n end but hardly an ending. Not artful but arty, and totally unlike the classic novels to which snooty critics would so often compare the show. The show's comedy is typically darker than black, but now it's at our expense."

Memory Palaces

Memory Palaces
an installation of digital prints on found paper
new work by Lane Hall

Exhibition runs June 10 - July 29
Opening Reception on Friday, June 15, 5-7pm

Memory Palaces is a convergence of Homer, Joyce, and Google, along with decades of personal journal entries that artist/writer Lane Hall has mined with the intention of telling stories about memory and forgetting. Memory Palaces interconnects cognitive theory and historically derived memory models. Senility, narcotics, psychotropic drugs and the spirit-world are invoked as meditations upon oblivion, while writing itself is posed as a means for fixing memory to imperfect maps.

The Memory Palace is a mnemonic model which consists of interconnected rooms subtitled Lotus Eaters, Telemachiad, From A Moon With No Planets, Lost Wax, Ars Narcotica, and A Snake Men Fear To Touch.

Queer Zine Art Show

From Milo Miller:
The Queer Zine Archive Project (QZAP) in conjunction with the Milwaukee LGBT Film Festival and Rhizome Space celebrates QZAP's third year with a film screening and Queer Zine Art Show on Friday, June 22nd in Milwaukee, WI. The 7pm film screening at Woodland Pattern Book Center (720 E Locust St) features queer zine pioneer Bruce La Bruce's "No Skin off My Ass" (16mm on DVD, b&w/sound, 73 min., 1991). Tickets are $2. This seminal and sweet queer punk romance features a Karen Carpenter-loving gay hairdresser who falls helplessly in love with a stray skinhead who he invites into his home. Kicking off after the screening at 8:30pm, the gallery show at Rhizome Space (3172 Bremen St) lifts art from the pages of phenomenal queer zines by artists Miss Schnookum, Lane McKiernan, Cookie Tuff, Sina Shamsavari, Rachael House, Larry Bob, and more.

Excellent Political Art: RUNNING THE NUMBERS

AN AMERICAN SELF-PORTRAIT (2006-2007)
Cell Phones, 2007
60x100"

Depicts 426,000 cell phones, equal to the number of cell phones retired in the US every day. Detail at actual size:

From Nicolas Lampert:
Nicole Schulman sent out this email recommending a show by Chris Jordan-pretty amazing digital images about consumption in the US-the series will be exhibited at the Von Lintel Gallery in New York from June 14th to the end of July.

FUSE

On May 3rd from 10am to 4pm at the UWM Student Union Concourse FUSE will have its 2nd appearance!

FUSE is an annual event that show cases the design abilities of the students in the Graphic Design Program at the Peck School of the Arts, Department of Visual Art by bringing to market innovative products for the residents and visitors of the University of Wisconsin-Milwaukee campus community.

We look forward to seeing you!

You can check out all FUSE products at:
http://www.aigauwm.org/Pages/Events/uwmevents.html#


Website designed by Mike Mueller
Email blasts and postcards designed by: Kelly Rippl,
Dan Hagar, Andrew Whitcomb

Throwies in Milwaukee

From Lane Hall and the Evan Roth Throwies Workshop at UWM last Friday.

Mat Rappaport Awarded Howard Foundation Fellowship

Nice work, Mat Rappaport, DAC Faculty

HOWARD FOUNDATION NEWS RELEASE APRIL, 2007

Providence, RI -- The George A. and Eliza Gardner Howard Foundation, administered by Brown University for the Board of Administration of the Howard Foundation, announced twelve fellowships of $25,000 each for the 2007-2008 academic year. The twelve recipients, representing the fields of Visual Arts, Media Studies and the History of Art and Architecture, were selected from among 237 artists and scholars nominated by administrative officers of colleges, universities, and cultural institutions throughout the country. The 2007-2008 fellows and their projects are:

Visual Arts and Media Studies:

Yizhak Elyashiv, Independent Artist, Adjunct Faculty: Rhode Island College and
Rhode Island School of Design, Landscape – Memory.

Paul Ramirez Jonas, Assistant Professor of Studio Art, Bard College, Clay Library: To be Spoken out Loud.

Pam Lins, Independent Artist and Adjunct Instructor at the Cooper Union School of Art, Please Bear with Us.

Hillary Mushkin, Associate Professor of Digital Media Art & Design, Orange Coast College, As We Go On: A Drawing Series.

Paul Myoda, Assistant Professor, Visual Arts Department, Brown University, 21st Century Architectural Ornamentation.

Carol Prusa, Associate Professor, Department of Visual Art and Art History, Florida Atlantic University, Innies and Outies Unification Series: An Investigation of “Wonderfully Strange Ideas” (Expressed in Domes and Quantum Foam).

Mat Rappaport, Assistant Professor Digital Media, Department of Visual Art, University of Wisconsin-Milwaukee, Office, A Multichannel Video Installation and Performance.

Rigo 23, Independent Artist, Criminal/Victim.

History of Art and Architecture:

Alexander Alberro, Associate Professor, School of Art and Architecture, University of Florida, Periodizing Contemporary Art.

William Gleason, Associate Professor, Department of English, Princeton University, Sites Unseen: Architecture, Race, and American Literature.

Robin Greeley, Associate Professor of Art History, University of Connecticut, Between Campesino and State: the Mexican Avant-garde and Images of the Nation, 1920-1952.

Max Page, Associate Professor of Architecture and History, University of Massachusetts, Amherst, Priceless: The History and Politics of Historic Preservation.

The Board of Administration announced that fellowships in 2008-2009 will be awarded in the fields of Music, Playwriting and Theatre Studies. See the Howard Foundation website for more information.

Graffiti Research Lab in Milwaukee

From Lane Hall:
Folks,

You don't want to miss Layton Lecture and Visiting Artist Evan Roth on
Thursday, April 19th, 7:30 p.m. at UWM's Curtin 175. (free and open to
the public).

Evan Roth is a media maker interested in uses of technology in popular
culture and the urban environment. He is currently doing some of the most compelling public art projects in the world. He is a founding member of Graffiti Research Lab and a developer of multiple technology hacker applications, including
“throwies.” He is also a senior fellow at the Eyebeam OpenLab, an
open source creative technology research and development lab for the public
domain. (Where, by the way, Intermedia grad alum Paul Amitai also
works.)

You can view his amazing output and viral interventions at the
following sites (but be sure to spend some time at Graffiti Research
Lab!)

http://ni9e.com/
http://graffitiresearchlab.com/
http://research.eyebeam.org/people/evan-roth

++++++++++++++++++++++
Join us on Friday, April 20th at 3:00 in the 3rd floor of Kenilworth for a hands-on "Throwies" workshop! Learn this simple hack that is rocking the internet and engage in thinking about electronic palettes and new forms of interaction within contested public spaces. This event is free, but space is limited, so please sign up at the Grad Office (A255) in the Art Building on UWM campus.

Please contact Lane Hall with any questions.

Therese Quinn and Daniel Tucker

From Nicolas Lampert:

Upcoming Presentation at UWM by Therese Quinn and Daniel Tucker. This event is during Nicolas Lampert's ART 309 class and is open to all. Please inform your
students!

Therese Quinn will present on teaching art education within a social justice framework and Daniel Tucker will present on activist art projects within Chicago.

Wednesday, April 18th 4:00-6:40
MIT 191
EVERYONE WELCOME!

Therese Quinn is an assistant professor of art education at the School of the Art Institute of Chicago, where she directs an undergraduate teacher education program. She also works with the Multicultural Arts School, one of four new public high schools built to serve the Little Village/North Lawndale neighborhoods, and serves on the coordinating committee of the Chicago Teachers for Social Justice.
She is a co-editor of the book "Teaching for Social Justice: A Democracy and Education Reader."

Daniel Tucker is the editor of AREA Chicago - a biannual publication dedicated to researching and networking the art, education, and activist practices within the city of Chicago. AREA Chicago focuses on grassroots projects and has explored the themes of Privatization/Welfare Cuts, Local Food Systems, and social movements that connects local practice with the rest of the globe.

Additionally, AREA Chicago sponsors three related projects: “Infrastructure Lecture Series” dealing with organizational/sustainability issues of activist and
cultural groups and the “Peoples Atlas of Chicago: Sites of Relevance” mapping project which takes the form of workshops designed to create subjective and nontraditional maps of the city about different topics, and "AREA Books Imprint" - our most recent side project launching next year.

Googlization

Saturday, May 12, 2007

The School of Information Studies invites you to the 2007 Ted Samore Lecture featuring Siva Vaidhyanathan.

Siva Vaidhyanathan, a cultural historian and media scholar, is the author of Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity (New York University Press, 2001) and The Anarchist in the Library: How the Clash between Freedom and Control is Hacking the Real World and Crashing the System (Basic Books, 2004). Vaidhyanathan has written for many periodicals, including American Scholar, The Chronicle of Higher Education, The New York Times Magazine, MSNBC.COM, Salon.com, openDemocracy.net, and The Nation. After five years as a professional journalist, Vaidhyanathan earned a Ph.D. in American Studies from the University of Texas at Austin. He has taught at Wesleyan University, the University of Wisconsin at Madison, Columbia University, and is currently an associate professor of Culture and Communication at New York University and a fellow at the New York Institute for the Humanities.

Hide House
2625 S. Greeley St.
Bay View, WI 53207

Cocktails 5:00
Buffet Dinner 5:30-6:30
Presentation 7:00

Please RSVP by May 1, 2007

Registration Fee: $20.00 ($10/student)
Registration Form

Contact: UWM - School of Information Studies

Bolton Hall Rm: 510
3210 N Maryland Ave
Milwaukee, WI 53211

Ph: 414-229-4707
Fax: 414-229-6699

International Visual Literacy Association (IVLA) Annual Conference | 2007

From Bendtio Petronio:

International Visual Literacy Association (IVLA) Annual Conference | 2007
Curitiba , Brazil | Oct 10th - 13th

We are pleased to announce IVLA 2007 a forum for addressing and discussing Visual Literacy issues and perspectives from the lenses of theory, research, and practice. This is a partially joint event with the 3rd Information Design International Conference. There will be one overlapping day between the two conferences (October 10). Participants will be eligible to attend both conferences, fully or partially.

The IVLA Conference will take place for the first time in Latin America, in the city of Curitiba , Brazil . Brazil is a country of cultural diversity, visual experiences and colorful beauty, but also a country that faces challenges to build up a socially responsible future in the information era. So, we understand Visual Literacy as a field extending itself beyond frontiers of experience, embracing information, considering culture of human dimension, and celebrating diversity.

Proposals regarding the conference theme Visual Literacy beyond frontiers: information, culture and diversity are especially welcome. However, we will also welcome proposals concerning other visual literacy topics such as:

• Artistic Expressions (topics may include new media)
• Design and Communication
• Cultural Influences, Impacts, and Considerations
• Historic Uses and Approaches
• Ethical, Social, and Philosophical Concerns
• Research, Theories, and Definitions
• Transformative Functions
• Education, Teaching, and Learning
• Societal and Community Issues
• Future Trends and Directions

Marc Tasman at Ann Arbor Film Festival

Thanks to David Dinnell, and apologies for the shameless self promo:

Marc Tasman's video piece, "Who Is Stealing My Signs?" has been programmed into the schedule of films selected for competition at the 45th Ann Arbor Film Festival. The Ann Arbor Film Festival screenings and events take place in the historic Michigan Theater, a restored 1920s movie house in downtown Ann Arbor. Tasman's work will be screened in the Main Theatre, the 1,700-seat auditorium on Saturday night, traditionally the most attended night of the Festival,
March 24th.

This year the Festival received 2000 submissions from more than 25 countries. From these, less than 5% were selected for competition.

The Ann Arbor Film Festival showcases independent and experimental film and video. Established in 1963, this internationally-renowned festival is the oldest of its kind in North America. Each year the festival attracts entries from moving image artists worldwide and screens more than 100 films before audiences during
six days in March.

See the list of the 45th Ann Arbor Film Festival's
Competition Films.

DIGITAL CULTURAL STUDIES POSITION

From Nicholas Mirzoeff:

DIGITAL CULTURAL STUDIES POSITION

Stony Brook University, as part of a major, multi-departmental initiative in Digital Arts, Culture, and Technology, seeks scholars whose focus is digital cultural studies. Desirable areas of specialties include visual culture; new media arts; participatory digital culture; diasporic cultures, globalization and cross-culturally in the digital era; history/philosophy of digital media/art/music/technology; digital narrative, games and gaming.
Responsibilities will include undergraduate and graduate instruction, supervision of student research and writing, dissertation direction, advising, and departmental and University service. The successful candidate will be based in Comparative Literary and Cultural Studies but may also teach in Art or Music as appropriate. We anticipate hiring at the rank of assistant professor. Exceptional candidates may be considered at higher rank. Ph.D. and a record of scholarship and teaching at levels
appropriate to rank are expected. Application review to begin March 20 and
will continue until the position is filled. Send letter of application,
C.V., at least three letters of reference, statement of teaching interests/philosophy, and a representative writing sample to:
Digital Media Search,
Office of the Provost,
407 Administration Building,
Stony Brook University,
Stony Brook, NY 11794-1401.

See also this New Media Art Faculty Position.

Call for Art

From Charles Vestal,
Director of Development
Hunger Task Force, Inc.

Holiday Art Needed for Cards

Calling All Artists


Whether you're a professional or an amateur, an art school graduate or a self-taught genius, Hunger Task Force needs your art for our 2007 holiday cards!

Each year, Hunger Task Force prints three different holiday greeting cards featuring original artwork by local artists. Proceeds from the sale of the cards benefit Hunger Task Force's anti-hunger work. It's a great way to see your artwork mass produced and to help feed hungry families during the holidays. Deadline April 10, 2007. More details at Hunger Task Force

Call for Applications: Residency

The Institute of Quotidian Arts and Letters at Milwaukee (IQALM) is now accepting applications for the Cultural Crisis Studio Program for Individual Artists. This residency was established to bring artists that produce challenging work to Milwaukee to engage with its vibrant arts community. There are no medium restrictions; all work will be considered as long as the form is provocative, engaging and provides a meaningful critique of contemporary culture. The two month long residency will provide the resident artist with a studio and living space as well as opportunities to collaborate with artists and curators working in Milwaukee. Please see http://quotidianarts.tk for more information and application instructions. Preference will be given to applicants form outside the Milwaukee, Wisconsin and Upper-Midwest region of the United States. Deadline for the first residency cycle is March 15.

leisurearts

leisurearts, originally uploaded by marctasman.

"Is the new" is the new next big thing.
Randall wants you to tag this to your del.icio.us account.
http://thediagram.com/6_3/leisurearts.html

Call for Papers, Net(works): Art and Pre-Existing Web Platforms

Call for papers - SECAC 07
Net(works): Art and Pre-Existing Web Platforms

Beyond using the internet as a way to show representations of visual and performance work, artists have been using pre-existing dynamic content web sites as the actual site of the work. One of the first projects of this nature included Keith Obadike selling his blackness on eBay. More recently, Cary Peppermint’s Department of Networked Performance, an educational situation, uses MySpace as its host. The
Gif Show also used MySpace, appropriately, as a parallel site for a curatorial project in real space about the aesthetics of low-bit production. A public art competition and gallery shows have suddenly been popping up in Second Life, a virtual world created by users and inhabited by their avatars, which interact with each other in real-time.
How are artists currently using these and similar spaces? Are these projects considered interventions, or otherwise? Are these spaces appropriate for undergraduate education projects? How do real curatorial spaces intersect with these virtual spaces? What do these spaces, with or without the art world, mean within visual culture contexts? Please propose your presentation as it pertains to any
field - practice, history/theory/criticism, museum studies, and/or education.

Patrick Holbrook, Georgia College & State University

Email: patrick.holbrook[at]gcsu.edu

Proposals are due May 1st, 2007. Conference is October 17-20, 2007 in
Charleston, West Virginia.
http://www.unc.edu/~rfrew/SECAC/annual_conference.html

88Nine Radio Milwaukee

From Jenny Plevin:

Hello wonderful people,

I hope you're well and warm.

As some of you may know, I work (in addition to docUWM) at at 88Nine Radio Milwaukee and we are finally getting ready to launch the station!

As a part of our launch, we've created a survey that will allow us to find out what residents think about our community and the Milwaukee area. This Research will allow us to quickly capture how area residents see the Milwaukee area as a whole. It will be used by Radio Milwaukee in making programming decisions and in its larger objective of community building.

I would like to get our survey in front of as many people as possible, so please take it and pass it along. Surveys are fun!

Here's the page to link to our survey:
http://www.radioformilwaukee.org/spherestudy.html

Thanks!
Jenny

FADO February 2007 posting

From Paul Couillard:

The Fado elist posts approximately once a month with news and information of interest to performance artists and their audiences. Postings include information on current Fado projects and activities, current calls for submission from around the world, and other important information.

FADO E-LIST (February 2007)

INDEX

1. FADO NEWS
2. EMPLOYMENT OPPORTUNITY: Assistant Professor, Interdisciplinary Fine Arts (Toronto)
Deadline:February 15, 2007; Source: Akimbo
3. CALL FOR PROJECTS: AgenceTOPO.qc.ca (Montréal)
Deadline: February 15, 2007; Source: Agence TOPO
4. CALL FOR PROPOSALS: "ANTI Festival" (Finland)
Deadline:February 28, 2007; Source: ANTI Festival
5. CALL FOR SUBMISSIONS {PUBLICATION): "Nature and Technology" Locus Suspectus Magazine (Montréal)
Deadline: February 28, 2007; Source: Locus Suspectus
6. CALL FOR PROPOSALS (PUBLICATION): "Canular" la revue esse arts + opinions (Montréal)
Deadline: March 1, 2007; Source: esse
7. CALL FOR APPLICATIONS: "International MFA in New Media" Transart Institute (Austria)
Deadline: March 15, 2007; Source: ARTSERVIS
8. RESIDENCY: "Lower East Side Rotating Studio Program" (USA)
Deadline:March 15, 2007; Source: Artists Alliance Inc.
9. REQUEST FOR COLLABORATORS: "Mehora" Performance art / political campaign (Philippines)
Deadline: mid-March, 2007; Source: Bobby Nuestro
10. CALL FOR PROPOSALS: "Accumulation" The Present Tense (USA)
Deadline: March 21, 2007; Source: The Present Tense
11. CALL FOR PROPOSALS: "Re·Use " New Forms Festival 2007 (Vancouver)
Deadline: April 1, 2007; Source: New Forms Festival
12. RESIDENCY: Klondike Institute of Art & Culture (Dawson City)
Deadline: April 1, 2007; Source: Klondike Institute of Art & Culture
13. CALL FOR SUBMISSIONS: Galerie Sans Nom (Moncton)
Deadline: April 15, 2007; Source: Galerie Sans Nom
14. CALL FOR PAPERS (PUBLICATION): "La Peur" esse arts + opinions numéro 61 (Montréal)
Deadline: April 15, 2007; Source: esse arts + opinions
15. CONGRESS: "Corralling Art - Aboriginal Curatorial Practice in the Prairies and Beyond" (Saskatoon)
Event date: May 17- 18, 2007; Source: TRIBE Inc.
16. RESIDENCY: Elsewhere Artist Collaborative (USA)
Deadline: not given; Source: Instant Coffee
17. CALL FOR PARTICIPANTS: PERFURBANCE #3 (Indonesia)
Deadline: not given; Source: performance_art_network
18. REQUEST FOR MATERIALS: Cultural Center of Ministry of Culture (Uruguay)
Deadline: not given; Source: Clemente Padín
19. NEWS: Conservative government cuts international arts promotion budget (Canada)
Source: The Globe and Mail

Invitation to Participate: The Future of Learning Institutions in a Digital Age

From Nan Kim-Paik:

Invitation to Participate

First Draft Posted for Your Feedback, Commentary, Additions, and Examples
http://www.futureofthebook.org/HASTAC/learningreport

"The Future of Learning Institutions in a Digital Age"
Cathy N. Davidson and David Theo Goldberg
A HASTAC Project

Digital Media and Learning Occasional Series
John D. and Catherine T. MacArthur Foundation

We invite your participation in a collaborative project to envision the future of learning institutions. We have posted a first draft of "The Future of Learning Institutions in a Digital Age" on a collaborative editing and feedback tool (
http://www.futureofthebook.org/HASTAC/learningreport). The tool is developed and hosted by the Institute for the Future of the Book (http://www.futureofthebook.org).

We welcome comments, feedback, additions, challenges, and counter-examples. We are especially interested in showcasing current experiments and practices (at your institution or across institutions) that model collaborative, interdisciplinary, and inter-institutional forms of learning. Ideas that enhance, capitalize upon, critique, or incorporate peer-to-peer learning styles that extend the usual boundaries of the
classroom are particularly welcome.

We intend to document innovative practices and to inspire institutional innovation in conception and action-for administrators, policy makers, researchers, teachers, and students (of any age).

In this first, working draft, we lay out premises of "The Future of Learning Institutions". Even at this early stage, we have referenced sources from many fields. We invite you to inform us about other materials-articles, books, websites, blogs, wikis, games-that you find relevant to and compelling for this project.

A progress report will be presented at the first international conference
of HASTAC (pronounced "haystack," an acronym for Humanities, Arts, Science, and Technology Advanced Collaboratory). This conference, "Electronic Techtonics: Thinking at the Interface", will be held in Durham, North Carolina, April 19-21, 2007. For information about this conference, see www.hastac.org.

All contributions to this project will be acknowledged on a "Collaborators" section of the final report. We thank you in advance for joining us in imaging the future of learning institutions.

Ivy Film Festival, Brown University

Ivy Film Festival, Film + Screenplay Submission Deadlines

Early Deadline: January 24th
Final Deadline: January 31st
www.ivyfilmfestival.com/submit

The Ivy Film Festival’s submissions period is coming to a close!
Submit your film or screenplay online to be considered in the 2007 Ivy
Film Festival. Submissions are accepted early until January 24th, 2007,
with a final deadline of January 31st, 2007. Visit
www.ivyfilmfestival.com/submit to submit your work. This year’s festival takes place April 11-15th at Brown University in Providence, RI.

The Ivy Film Festival encourages the creative efforts of undergraduate
and graduate filmmakers by acting as a quality venue for their work and
by creating opportunities for these filmmakers to learn from one
another and from talented professionals. The festival strives to garner
recognition for student filmmakers by means of a panel of celebrity judges
including: directors, producers, writers, and agents who will view the
top films from the festival.

This year, the festival has partnered with Variety to bring its
visibility to a global level. Each year, awards are sponsored by major
corporations, offering prizes to winners to aid them in their continuous
pursuit of the filmmaking dream. In 2006, the Best Director and Best
Screenplay awards were sponsored by Open Student Television Network (OSTN),
which provided the winners of the respective awards with a new Canon
GL2 digital video camera and a new Apple laptop.

Visit www.ivyfilmfestival.com for submission information, updates and
new information about the festival.

If you have any questions about submissions or the festival, feel free
to email me, Meg Boudreau, at Meghan_Boudreau[at]Brown.edu.

We look forward to receiving your films and screenplays!

Kindly,

Meg Boudreau – Brown ‘08
2007 Ivy Film Festival
Publicity Coordinator
www.ivyfilmfestival.com

Sling presents: "Lantern"

From David J. White aka Agent LeBlanc, Cloudboy:

Sling presents: "Lantern"

Speaker Dust presents: "Noir Condo"

Artasia Gallery and Museum
181 N. Broadway
Historic Third Ward

Take the elevator with the red door to the third floor.

David J. White and Jason Nanna have been working as Sling since January 2006. They have a mutual admiration for psychogeography, experimental film, and indie rock.
This has lead to a busy year of installations, performances and a Mary Nohl fellowship from UW-Milwaukee's venerable Peck School of the Arts for their work with
the time based media collective Done Best Done.
Friday they will present: "Lantern"


Speaker Dust is very private and issues the following statement:
"'Noir Condo' may throw you for a loop.
Expect cream city brick and yellow melting light."

Have a wonderful Gallery Night.
It is going to be frosty.


xtra info:
map

http://myspace.com/slingrecords
http://www.donebestdone.com/
http://www.artasiagallery.com/

Technology Expanding the Horizon: Call for work

From Marthe Grohman, OSU Art:
Technology strongly affects our existence within and our perceptions of the contemporary landscape. Artists are invited to submit work that examines technology’s relationship to physical and psychological space. Selected work will be exhibited for two weeks in conjunction with a symposium entitled Technology Expanding the Horizon: A Reinterpretation & Investigation of the Landscape scheduled for March 29 & 30, 2007 at The Ohio State University, Columbus, Ohio. Symposium panelists include Vito Acconci, Heath Bunting, Martha Buskirk, Dmitry Bulatov, Vicki Goldberg, Ricardo Dominguez, Peter Garfield, James Gimzewski, and Erwin Wurm. Selected artist’s work will also be included in an online gallery available through the symposium website.

ELIGIBILITY: Artists in any media are welcome to submit work. New media is encouraged (i.e. digital work, video, sound) and space is available for large installations, projections, or performances. Performances will be scheduled for March 29 & 30, 2007. Emphasis will be placed on work that attempts to collapse the separation between art and environment, and does not necessarily need to be confined to the University Campus. A curatorial committee appointed by symposium administrators will select artwork

Curators: Katie Shannon, Brad Olson, Kisha Swift, Herb Vincent Peterson, Grant Fletcher, Dina Sherman, and Jon Keppel

Hasan Elahi, Tracking Transience

Kim Beckmann-Moegenburg brought this suspected terrorist to UWM last month. I was unable to attend, but the work sounds fascinating-getting naked in front of the FBI with your data body.

The following description is from Mike Salmond's report of the New Media Caucus panel from Siggraph four months back:

Hasan Elahi of Rutgers University presented his on-going project ‘Tracking Transience’. Elahi was once under investigation by the FBI as a suspected terrorist, based purely on his ethnicity and travel habits. As such Elahi now voluntarily records his daily routines via the web, phone and GPS systems; effectively ‘self tracking’ himself as an information weapon against the United States government http://elahi.rutgers.edu/track/

NEW Course

Jewish and Ethnic Narratives and Identities in Media

Spring 2007 MW 9:30-10:45am
Instructor: Marc Tasman



As media becomes more widely distributed and produced by increasing numbers of 'average' citizens, new identities are constructed. Traditional Jewish and ethnic narratives and identities are challenged in this context and controversies often result. We will look at a range of media (photography, television, film, and convergent mediums) including Sacha Baron Cohen (Borat), Sarah Silverman, blackpeopleloveus.com, barmitzvahdisco.com, Seinfeld, Bernie Mac, Dave Chappelle, Margaret Cho, cartoon riots, The O.C., The Simpsons, Roman Vishniak and Edward Curtis.

Collage Filmmaker Lewis Klahr

From Carl Bogner:
Say, if you can be on the campus of UWM tomorrow night, come see filmmaker Lewis Klahr who will be in town to screen his newest collage films. Artful and deftly evocative, his animation (of figures cut out from comic books and vintage magazines, mostly) offers a musically entrancing experience of melancholy laced with the unexpected.

Klahr will be presenting his most recent two works - The "Two Minute to Zero" Trilogy and "Daylight Moon (A Quartet)" Wednesday, November 29 at 6:30pm in the Fine Arts Recital Hall (MUS 175).

Admission is free. The Fine Arts Recital Hall is just north of Kenwood, across the courtyard from Mitchell Hall.

Presented by the UWM Department of Film

Fly Press

Photo by Peter Diantoni

FLY
One Night Only
8:00 PM
Saturday November 18 at the Marcus Center, Vogel Hall.
929 N. Water St.
(414) 273-7206
Tickets $10

Read about it:
MKE
Shepherd Express
Suceptible to Images
Milwaukee Journal Sentinel
Listen to WUWM's Lake Effect Interview

New Media and Performance

Brought to you by Lane Hall, Director of Graduate studies in Visual Art:

Harrell Fletcher @ 7:00 pm, Curtin 175, Thursday Nov 16, Layton Lecture
Internationally renowned new-media artist Harrell Fletcher gives a Layton Lecture about his particularly democratic form of art-making. Hear Harrell expound upon his multi-platform projects, from “Learning to Love You More” (which was included in a recent Whitney Biennale) to video projection pieces, “people’s exhibitions” and various other public projects. (Co-hosted with the Film Dept).
http://www.harrellfletcher.com/
http://www.learningtoloveyoumore.com/

CARTUNE XPREZ, SLOW DANCE RECYTTAL, HOOLIGANSHIP @ 8:00 pm
Electronic Music Studio (B60 Music Building), Tuesday, Nov 21st
Come see, hear and witness this traveling collective (Peter Burr, Christorpher Doulgeris and Cassandra C Jones) combine their infatuation with over-the-counter digital media and live music/video performance. Explore their obsession with google-mania and over-saturated visual culture. Not to be missed!

Production Assistants needed for FLY

We are looking for production assistants to help with set and prop construction for FLY (Nov 18 at the Marcus Center). If you or anyone you know have time and are willing to help, please contact Brent Budsberg, Scenic Director at babudsberg[at]sbcglobal.net

The dates that you can help are Monday, Nov 6 thru Monday Nov 13 and Wed Nov 15 thru Fri Nov. 17. There will be two blocks of time each day - from 1pm to 5pm and from 7 pm until 10pm. If you are only available during mornings, Brent may be able to shift the schedule to accommodate a morning session.

These are volunteer positions, but anyone helping will gain invaluable experience working with Milwaukee's premiere installation, performance, theatre, music and dance artists as will as getting your name in the program and a line on your resume as a production assistant for a cutting edge inter-media performance. Any help would be greatly appreciated.

Thank you.

Nohl Fellowship Exhibition

Nicolas Lampert's Chicken at Bradford Beach

See the giant chicken tonight at iNOVA
INSTITUTE OF VISUAL ARTS

Third Annual Mary L. Nohl Fellowship Exhibition
October 13-December 10, 2006
Opening reception: October 13, 6-9 pm; gallery talk with Nato Thompson and Jane Simon begins at 6:30 pm.

Inova/Vogel, Vogel Hall, 3253 N. Downer Ave.
Gallery hours: Wednesday-Sunday, 12 noon-5 p.m.
FREE
Information: (414) 229-5070 or arts.uwm.edu/inova

The third annual exhibition of the Greater Milwaukee Foundation’s Mary L. Nohl Fund Fellowship recipients features work by Nicolas Lampert, Fred Stonehouse and Jason Yi (Established Artists) and Juan Juarez, Michael Julian, Mat Rappaport and Stephen Wetzel (Emerging Artists). Jane Simon and Nato Thompson, jurors for the 2005 competition, return for the opening night gallery talk (6:30 pm). Watch for talks, performances and screenings by the Nohl fellows throughout the exhibition period.

Super Vision at MCA

Jon McKenzie and I went down to see this last night. Visually compelling. Absorbing. Sharp performances on the subject of our data bodies. I highly recommend it.

The Builders Association & dbox: SUPER VISION
October 12-14, 2006
at the Museum of Contemporary Art in Chicago

Each time you swipe a credit card, chat online, fill a prescription, or make an airline reservation, click by click, you leave a trail of personal electronic information that takes shape as a virtual data body, well recorded and maintained. It never goes away; it’s there for the taking. SUPER VISION is a provocative and often funny look at Digital Age anxieties, using the language and tools of surveillance itself to craft gorgeous illusions about the hidden realms of our instant-access society. Obie Award-winning performance ensemble The Builders Association and dbox, the acclaimed New York digital design studio, were last seen in Chicago with the MCA co-commission Alladeen. This collaboration extends the scope of contemporary theater and of personal identity, using a seamless blend of performance, text, architecture, and digital media to explore the impact of technology on humanity.

Roundtable Discussion
Saturday, October 14, 2 pm, Kanter meeting room; Free
The artists and the public participate in a free-ranging conversation about the topics raised by SUPER VISION.

Free Toast
Friday, October 13
Audience members are invited to a free round of drinks with the artists immediately following the performance. Hosted by The Chestnut Grill & Wine Bar at The Seneca Hotel, 200 East Chestnut. Limited to ages 21 and over; one drink per admission stub.

Milwaukee Street, Milwaukee

Sean Quast, Treasurer for DACSO told me about this:
Milwaukee Street, Milwaukee
October 13, 2006
8:00 PM - 12:00 PM

Did you miss Nauman 101—the party celebrating the work of Bruce Nauman through the work of local artists? Well you have another chance. The Museum and Cedar Block, creator of Nauman 101, collaborate again for Milwaukee Street, Milwaukee—a night of photography, fashion, music, and interactive fun based on the photography of Saul Leiter. Local photographers are given one day to capture the essence of Milwaukee Street using Lomo or Holga cameras. The cameras are deliberately lo-fi and emphasize casual, snapshot photography—perfect for documenting everyday life. Come to the party, see how local artists interperet the work of Leiter into their own street photography.

Sponsored by:

Cost: $7/$5 for members

Location:
MAM

Contact:
MAM
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