Fourth International Conference on the Histories of Media Art, Science and Technology
Liverpool, 28th September - 1st October 2011
Call For Papers now open - Deadline Monday, January 31st 2011
http://www.mediaarthistory.org
Host: FACT (Foundation for Art and Creative Technology), Liverpool
In collaboration with academic partners: Liverpool John Moores University, CRUMB at the University of Sunderland, the Universities of the West of Scotland and Lancaster, and the Database of Virtual Art at the Dept. for Image Science, Danube University Krems.
Following the success of Media Art History 2005 Re:fresh in Banff, Media Art History 2007 Re:place in Berlin and Media Art History 2009 Re:live in Melbourne, Media Art History 2011 Rewire will host three days of keynotes, panels and poster sessions.
Media Art History 2011 Rewire will increase the voltage and ignite key debates within the internationally distributed network of histories, which takes account of the questions surrounding documentation and methodologies, materiality, and agency. Rewire aims to up the current to illuminate the British contribution to media art, and by looking at our industrial heritage and contribution to the history of computing technologies themselves, we will open the discussion to how these contributions are manifested internationally. Considering the International scope of the histories of media art, science and technology, Rewire is also listed as part of the "McLuhan in Europe" programme, and will take place concurrently with The Asia Triennial in Manchester and Abandon Normal Devices, the North West's festival of new cinema and digital culture which returns to Liverpool in September 2011. The reviewers especially welcome proposals for presentations that resonate thematically with these events.
For the full Call for Papers, and to submit an abstract, please visit:http://www.mediaarthistory.org/rewire
Digital Arts and Culture, an interdisciplinary certificate program at the University of Wisconsin-Milwaukee, combining courses in the areas of arts, humanities, social sciences and information studies AND a networked community of students, artists, scholars, and practitioners, imagining the future by studying and shaping emerging forms.
Wednesday, November 10, 2010
Friday, November 05, 2010
Canada's Biotechnology Strategy: Struggles on the Knowledge Commons Featuring: Wilhelm Peekhaus
From Michael Zimmer, PhD
Assistant Professor, School of Information Studies
Director, BS in Information Science & Technology Program
Associate, Center for Information Policy Research
University of Wisconsin-Milwaukee
w: www.michaelzimmer.org
The Center for Information Policy Research (CIPR) in the School of Information Studies announces the following research presentation:
Canada's Biotechnology Strategy: Struggles on the Knowledge Commons
Featuring: Wilhelm Peekhaus, PhD (2010-2011 CIPR postdoc)
November 18th, 2010
Time: 12:15 -1:30
Location: Bolton Hall, Room 521
This talk reports on research that interrogated the various forms of social struggles that have emerged in defiance of the progressive enclosure of agricultural biotechnology within the social factory. An emphasis on the information and knowledge issues embodied in these conflicts, aside from potentially being indicative of the scope of the social factory, holds the promise of cementing an important bridge between Library and Information Studies (LIS), with its concern over information flows and the information cycle, and political economic and public policy disciplines. I contend that the multiple information issues that inhere in biotechnology, ranging from intellectual property concerns in respect of genetic information to the contested nature of regulatory and public biotech discourses, render LIS a wholly apposite discipline within which to situate a critical analysis of this technoscience that goes beyond the current LIS engagement with bioinformatics.
Additional details at: http://www4.uwm.edu/sois/news/events/cipr_peekhaus_111810.cfm
Thursday, October 28, 2010
New Media Positions at Georgia State University
From Brad Litchenstein, aka @bradleyLbar
New Media Positions at Georgia State University
New Media and Documentary Investigation
Interactive Media Design
Digital Humanities
Digital Music Technology
http://www.cas.gsu.edu/secondcentury_newmedia.html#interact
New Media Positions at Georgia State University
New Media and Documentary Investigation
Interactive Media Design
Digital Humanities
Digital Music Technology
http://www.cas.gsu.edu/secondcentury_newmedia.html#interact
Media Studies Colloquium Friday Nov 12, 1pm Merrill 347
From Elana Levine
Associate Professor
Director of Graduate Studies, Media Studies M.A.
Department of Journalism and Mass Communication
Just a reminder that we will gather for a Media Studies graduate program colloquium on Friday, Nov. 12 from 1 - 2:15 PM in Merrill 347. Presenting will be:Weiai Xu, "Exotic Disease or Local Disease? Framing Analysis of H1N1 Swine Flu coverage on Chinese Media"Dugan Nichols, "The Connected Dots of Waco and Oklahoma City: Media Frames of Timothy McVeigh"Derek Granitz, "Government Health Care that Never Was: Print News Media Framing of the Public Option During the 2009 Health Care Reform Debate"All are welcome.
Wednesday, October 13, 2010
Library trials of useful databases
From Elana Levine
Associate Professor
Director of Graduate Studies, Media Studies M.A.
Department of Journalism and Mass Communication
Thought you might be interested to know that the UWM Libraries have subscribed to trial versions of a few useful databases for people doing media-related work, namely the Film and Performance Arts databases through Proquest and the Film and Television Literature Index with Full Text. You can access both http://guides.library.uwm.edu/trials . There is a space to enter feedback, which I imagine might encourage the library to subscribe permanently. So please check them out, and write some comments. Would be great to have these resources available to us. I know that I will be encouraging my students to use them, as well, while they still have access.Elana
Tuesday, October 12, 2010
List of Digital Arts and Culture Invitees/ Collaborators
Digital Arts and Culture Faculty Collaborators
to be added or removed from this list, please contact mtasman(at)uwm.edu
Anthropology
Thomas Malaby
Art & Design
Heather Warren-Crow
Lee Ann Garrison
Shelleen Greene
Colleen Ludwig
Lisa Moline
Nathaniel Stern
Art History
Jennifer Johung
CEAS > Computer Science
Ethan Munson
Communication
Sandra Braman
English
Gilberto Blasini
David Clark
Lane Hall
Tasha Oren
Pete Sands
Tami Williams
Anne Wysocki
Music
Chris Burns
History
Jasmine Alinder
JMC
David Allen
Elana Levine
Barbara Ley
Michael Newman
Marc Tasman
Sociology
Aneesh Aneesh
SOIS
Elizabeth Buchanan
Thomas Haigh
Michael Zimmer
Monday, October 11, 2010
Artist Clarissa Sligh Oct 19

This just in from Jasmine Alinder, Associate Professor and Co-Coordinator of Public History at UW-Milwaukee.
Sounds like not to be missed.
Photographer and book artist Clarissa Sligh will offer a presentation in the Ettinger Book Artist Series on Tuesday, October 19, 2010 at 7:00 p.m. in Special Collections on the fourth floor of the Golda Meir Library.
Combining photographs, drawings, and texts, Sligh’s installations, alternative photographs, and artist’s books are personal and political reflections of her life experiences as a female African American, beginning at fifteen when she was the lead plaintif in 1955 in Virginia.
Clarissa Sligh’s presence in Milwaukee is a collaboration with Woodland Pattern Book Center, where she will offer a workshop on Sunday, October 17. She will also offer a workshop for selected students at UWM.
For more information on Clarissa Sligh and her work, please visit her website at: http://clarissasligh.com/index.html
From UWM Campus Announcements:
http://www4.uwm.edu/news/announcements/?action0=announcements_detail&item_id=15004
Friday, September 24, 2010
Richard Grusin, C21 talk
Looking forward to Richard Grusin's talk today at 3:30 in Curtain Hall, 175.
Wednesday, September 15, 2010
DAC blog 3.0
The DAC spheres of intermedia are undergoing an overhaul under the direction of DAC coordinator, Marc Tasman and DAC Program Assistant, Matt Trease. In the meantime, let's ressurect the DAC blog under the new address, digiartsarchive.blogspot.com. CLEAR! cachunk
Friday, May 01, 2009
'Zine and Screen
Coordinator will accept this course for a DAC Practicum elective:
Practice based, creative production + writing
English 414-003 Special Topics in Creative Writing: ‘zine and screen
F 9:30-12:10
Lane Hall
Course Description
This creative writing workshop will focus upon experimental narrative, including image & text relationships as we work to gain deeper understandings of how media and materials actively construct meaning. Projects will be produced in ‘zine and screen formats. Digital production experience is not required though a readiness to explore diverse creative processes is essential.
Practice based, creative production + writing
English 414-003 Special Topics in Creative Writing: ‘zine and screen
F 9:30-12:10
Lane Hall
Course Description
This creative writing workshop will focus upon experimental narrative, including image & text relationships as we work to gain deeper understandings of how media and materials actively construct meaning. Projects will be produced in ‘zine and screen formats. Digital production experience is not required though a readiness to explore diverse creative processes is essential.
Friday, December 12, 2008
Internet Research 10.0 -- Internet: Critical
Internet Research 10.0 - Internet: Critical
The 10th Annual International and Interdisciplinary Conference of the Association of Internet Researchers (AoIR)
October 7-11, 2009
Hilton Milwaukee City Center
Milwaukee, Wisconsin, USA
As the Internet has become an increasingly ubiquitous and mundane medium, the analytical shortcomings of the division between the online and the offline have become evident. Shifting the focus to the fundamental intermeshing of online and offline spaces, networks, economies, politics, locations, agencies, and ethics, Internet: Critical invites scholars to consider material frameworks, infrastructures, and exchanges as enabling constraints in terms of online phenomena.
Furthermore, the conference invites considerations of Internet research as a critical practice and theory, its intellectual histories, investments, and social reverberations. How do we, as Internet researchers, connect our work to social concerns or cultural developments both local and global, and what kinds of agency may we exercise in the process? What kinds of redefinitions of the political (in terms of networks, micropolitics, participation, lifestyles, resistant or critical practices) are necessary when conceptualizing Internet cultures within the current geopolitical and geotechnological climate?
To this end, we call for papers, panel proposals, and presentations from any discipline, methodology, and community, and from conjunctions of multiple disciplines, methodologies and academic communities that address the conference themes, including papers that intersect and/or interconnect the following:
* critical moments, elements, practices
* critical theories, methods, constructs
* critical voices, histories, texts
* critical networks, junctures, spaces
* critical technologies, artifacts, failures
* critical ethics, interventions, alternatives.
Sessions at the conference will be established that specifically address the conference themes, and we welcome innovative, exciting, and unexpected takes on those themes. We also welcome submissions on topics that address social, cultural, political, legal, aesthetic, economic, and/or philosophical aspects of the Internet beyond the conference themes. In all cases, we welcome disciplinary and interdisciplinary submissions as well as international collaborations from both AoIR and non-AoIR members.
SUBMISSIONS
We seek proposals for several different kinds of contributions. We welcome proposals for traditional academic conference PAPERS and we also welcome proposals for ROUNDTABLE SESSIONS that will focus on discussion and interaction among conference delegates, as well as organized PANEL PROPOSALS that present a coherent group of papers on a single theme.
DEADLINES
Call for Papers Released: 17 November 2008
Submissions Due: 1 February 2009
Notification: 15 March 2009
For more, see http://ir10.aoir.org/
New Course in Art History
Look at this course description for the Spring for 2009 taught by Jennifer Johung:
ARTHIST 499: The History and Theory of New Media Art
TR 11-12:15
This course introduces students to the history and critical theory of new media artworks, focusing on artists who utilize interactive technologies. The course will outline the history of telecommunications and basic networking technologies as well as the forms and concepts of interaction and participation related to them. We will examine the aesthetic and technological possibilities for artists working within networked environments, exploring a range of projects such as Internet art and immersive installations, hyper-linked environments, telepresence and telerobotics, artificial life and intelligence, mapping and locative media projects using mobile devices such as PDAs, cell-phones, and GPS systems, social networking sites, net activism, and bio and nanotechnology.
ARTHIST 499: The History and Theory of New Media Art
TR 11-12:15
This course introduces students to the history and critical theory of new media artworks, focusing on artists who utilize interactive technologies. The course will outline the history of telecommunications and basic networking technologies as well as the forms and concepts of interaction and participation related to them. We will examine the aesthetic and technological possibilities for artists working within networked environments, exploring a range of projects such as Internet art and immersive installations, hyper-linked environments, telepresence and telerobotics, artificial life and intelligence, mapping and locative media projects using mobile devices such as PDAs, cell-phones, and GPS systems, social networking sites, net activism, and bio and nanotechnology.
Tuesday, November 18, 2008
Street With A View
Street With A View
View Larger Map
From Lane Hall, purveyor of fine DAC websites.
Note Milwaukee's own genius and hero, Nicolas Lampert wih his Attention! Chicken on the street.
View Larger Map
From Lane Hall, purveyor of fine DAC websites.
Note Milwaukee's own genius and hero, Nicolas Lampert wih his Attention! Chicken on the street.
Artists Robin Hewlett and Ben Kinsley invited the Google Inc. Street View team and residents of Pittsburgh’s Northside to collaborate on a series of tableaux along Sampsonia Way. Neighbors, and other participants from around the city, staged scenes ranging from a parade and a marathon, to a garage band practice, a seventeenth century sword fight, a heroic rescue and much more...
Tuesday, September 02, 2008
Blogger Arrested for Leaking Songs from Unreleased Guns N' Roses Album
From Citizen Media Law Project:
Kevin Cogill, a blogger on Antiquiet, a site that provides "uncensored music reviews and interviews," was arrested August 27, 2008 at his home near Los Angeles on suspicion of violating federal copyright law after he allegedly posted nine songs from the unreleased -- and highly-anticipated -- Guns N' Roses album "Chinese Democracy."
The original complaint charges charges that he "knowingly and willfully distributed a copyrighted work being prepared for commercial distribution, namely nine previously unreleased songs by the band Guns n' Roses, by making the songs available on a computer network accessible to members of the public."
Monday, May 12, 2008
Total Recut Remix Culture Contest
Thanks Elana Levine for the notice via Henry Jenkins' Blog:
Create a short video remix that explains what Remix Culture means to you. Using video footage from any source, including Public Domain and Creative Commons licensed work, we want you to produce a creative, educational and entertaining video remix that communicates a clear message to a wide audience. The video is to be no shorter than 30 seconds and no longer then 3 minutes in duration.
This contest is open to anyone of any age from any part of the world. The judges are Larry Lessig, Henry Jenkins, Pat Aufderheide, JD Lasica, Kembrew McLeod, Mark Hosler and Luminosity.
The contest will begin in May ’08 and will be open for 1 month. Public Voting will begin in June and will remain open for 2 weeks, after which the best 10 videos will be put forward into the final and the Judging Panel will vote on each one. The winner will be announced in July ’08.
Monday, May 05, 2008
Photosynth: Movable, zoomable spaces.
Isral DeBruin sent me this link. Also seen at the World Making Conference last month, presented by Anne Friedberg.
Blaise Aguera y Arcas is an architect at Microsoft Live Labs, architect of Seadragon, and the co-creator of Photosynth, a monumental piece of software capable of assembling static photos into a synergy of zoomable, navigatable spaces.
Too bad (but of course) it's not available for anything but Windows operating systems.
Blaise Aguera y Arcas is an architect at Microsoft Live Labs, architect of Seadragon, and the co-creator of Photosynth, a monumental piece of software capable of assembling static photos into a synergy of zoomable, navigatable spaces.
Too bad (but of course) it's not available for anything but Windows operating systems.
Monday, April 28, 2008
LOCALLY GROAN - You Have Homework To Do! Ta Da! at UWM Union Theater
On May 8, 2008, The Archaeology of the Recent Future Association presents Locally Groan, You Have Homework To Do! Ta Da! ‐ an evening of new films, videos, and live performance by over 25 local Milwaukee artists. “Locally Grown” screenings, held at the UWM Union Theater, are always free & open to the public. This year’s festival will be a little different in that local artists were asked to complete an “assignment”, and make a new piece especially for the show. So, instead of curating, the curators handed out some homework. Specifically, participants were asked to complete one of two assignments: Using only one 100-foot roll of 16mm film or three minutes of video, create a film and present it with a recorded or live soundtrack. Inspired by Dadaist exquisite corpses and madcap collaborations, the hope is that the assignment's "rules" will create a joyful challenge for the makers as well as inspire an unexpected new piece for us all to enjoy. The results will be revealed at a screening on MAY 8, 2008, in a celebration of our community's ingenuity, sweetness, humor, and talent.
Participating Artists:
Jesus Ali, Sam Augustine, Trevor Berman, Jeremy Bessoff, Anne Bisone, Robyn Braun, Ray Chi, Portia Cobb, Brent Coughenour, Jamal Currie, Allison Halter, Kati Katchever, Kelly Kirshtner, Laura Klein, Xav Leplae, Andrea Maio, A. Bill Miller, Erik Peterson, Kate Raney, Mat Rapaport, Joseph Reeves, Ryan Szarnowski, Marc Tasman, Chris Thompson, Renato Umali, Celeste Verhelst, Steve Wetzel
For more information, visit: citizenandneighbor.blogspot.com, or email: citizenandneighbor@gmail.com
Poetry Everywhere, on Transit TV, too
Sounds like a festival, with a bus showing videos, balloons, and free food from Cafe Hollander--fun for the entire family:
A launch party for Poetry Everywhere, a locally grown national project will be Tuesday April 29, 7pm, Downer Avenue - Harry W. Schwartz Bookshop (2559 N. Downer Ave).
Fifteen animated Poetry Everywhere films created by students working with docUWM, a documentary media center at the University of Wisconsin-Milwaukee, and the university's creative writing program, in association with the Poetry Foundation, will debut online and on Transit TV throughout the coming months. Aiming to focus a new generation of filmmakers on poetry as subject matter, the project encouraged film students to read widely from the canon of contemporary poetry and, working closely with poets and scholars, effectively translate poetry to the screen using an array of film and animation techniques. The docUWM films feature a wide range of contemporary poems and poets, including Lucille Clifton's "mulberry fields," Robert Creeley's "The Language," and Lyn Hejinian's "Eleven Eyes."
More info:
Journal Sentinel
PBS/WGBH
Poetry Foundation
iTunes
More info on the event is at Harry Schwartz's website.
Friday, April 11, 2008
World Making: Art and Politics in Global Media
From Lane Hall:
This next week we have some great speakers coming in for the Center for International Education conference, "World Making: Art and Politics in Global Media" that Patrice Petro and Lane Hall have organized. Students and faculty welcome and encouraged at the Friday and Saturday events.
Also, David Wilson (creative force behind the "Museum of Jurassic Technology" in Los Angeles) will give the keynote lecture for the conference. (wikipedia entry)
David's lecture is on Friday 18 April from 7:30-9:00 pm in Curtin 175. He
will be discussing his ongoing film project about the Russian Space
Program, and will show his work in the special way that only David Wilson
can. This is a lecture not to be missed!
Wednesday, April 02, 2008
Sound Effects: Gender, Race and the Cultural Work of NPR
Via Carol Stabile:

This Friday, April 4:
Jason Loviglio, Director of Media and Communications Studies at the University of Maryland, Baltimore County will speak in the History conference room, Holton 341, 3:30-5.
"Sound Effects: Gender, Race and the Cultural Work of NPR"
This talk is sponsored by: the History Department, Cultures and Communities, Journalism & Mass Communication, and Comparative Ethnic Studies. Light refreshments will be served.
This Friday, April 4:
Jason Loviglio, Director of Media and Communications Studies at the University of Maryland, Baltimore County will speak in the History conference room, Holton 341, 3:30-5.
"Sound Effects: Gender, Race and the Cultural Work of NPR"
This talk is sponsored by: the History Department, Cultures and Communities, Journalism & Mass Communication, and Comparative Ethnic Studies. Light refreshments will be served.
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