Though I personally found the choice of Journey's Don't Stop Believin' enthralling, and the cut to black inevitable, pragmatic and pregnant with the narrative that Tony Soprano survives, but as a paranoid adrenaliniac, our colleague, Mike Newman differs. He was quoted via his blog, zigzigger on Slate earlier this month about the HBO series finale. Nice work.
At Zigzigger, media studies professor Michael Z. Newman is among the let down, writing it was "[a]n end but hardly an ending. Not artful but arty, and totally unlike the classic novels to which snooty critics would so often compare the show. The show's comedy is typically darker than black, but now it's at our expense."
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