The Journal of New Media and Culture

It looks like LeisureArts went on a del.icio.us tear tagging peer reviewed journals:
NMEDIAC has adopted the mission of publishing peer-reviewed papers and audiovisual pieces that contextualize encoding/decoding environments and the discourses, ideologies, and human experiences/uses of new media apparatuses. NMEDIAC provides an intellectual canvas where the cultural spaces and experiences of new media are theorized and rigorously explored within both global and local contingencies of the present and past. In particular, we publish articles that attempt inter- and intra-disciplinary research of new media texts and technologies. Works that incorporate either or both humanities and social science approaches to scholarship are welcome.

Also BeeHive Hypertext/Hypermedia Literary Journal

K A I R O S: A Journal of Rhetoric, Technology, and Pedagogy

Town Meeting on the Future of Media

From Jeff Smith, Department Chair:
The Department of Journalism and Mass Communication at University of Wisconsin-Milwaukee is a sponsor of a Town Meeting on the Future of Media on Thursday, September 7, 2006, at 6:30 p.m. The event will be held at the Helen Bader Concert Hall in UWM's Helene Zelazo Center for the Performing Arts.

A message from community artist/activist Nicolas Lampert says:
This is an open hearing; that means that anyone can and is encouraged to provide testimony to the commissioners about how well their media serves the community. This is a rare opportunity for people to come and speak to the commissioners of the FCC. Being a commissioner is an appointed position, not an elected one, so it is very rare that they come to public events and open up for discussion and criticism from the public.

From Free Press:
Milwaukee, Wisconsin
How well are your media serving you?

Do you want the media to do a better job covering issues you care about? Do you want more quality journalism? Are you wondering whether a few giant media conglomerates will provide the diverse and independent viewpoints you need?

Now is your chance to tell FCC Commissioners Jonathan Adelstein and Michael Copps how well the media are serving your community. Don’t miss this opportunity to make your voice heard!

Town Meeting on the Future of Media
Milwaukee, Wisconsin
Thursday, September 7, 2006
6:30 pm

University of Wisconsin, Milwaukee
Helen Bader Concert Hall
Helene Zelazo Center for the Performing Arts
2419 East Kenwood Blvd.

Located between Prospect and Stowell on Kenwood, kitty-corner from the student union. For parking and accessability, see: http://www.uwm.edu/map/map.pdf

View and/or download the flyer here. Join us to learn more about who owns the media in Wisconsin and offer public testimony on the proposed changes to ownership rules. All events are free and open to the public.

Production Assistants Needed

This from Mat Rappaport, Assistant Professor in Digital Media, who is using helicopters and trucks for this.

Dear students who are interested in video/film and art production:

I am looking for production assistants to fill out my crew for a video shoot this Wednesday, Thursday and Friday. One need not volunteer for all days and all times.

> A project description can be found at
> http://meme01.com/projects/span.html

The project is being shown at inova on October 13th as part of the Mary L. Nohl Artist Fellowship Exhibition.

Students interested in helping out should email me at matrapp[at]uwm.edu.

Thanks,

Mat

The World's Highest Resolution Seamless Display Ever Built

From Doreen Maloney, Associate Professor of New Media at the University of Kentucky and Former President, New Media Caucus

The World's Highest Resolution Seamless Display Ever Built
http://www.mersive.com/WorldRecordDisplay.cfm

Mersive Technologies is building the highest resolution, seamless display ever seen by the public. The display is composed of 80 digital light projectors blended into a seamless image containing 60 million pixels. These pixels will be packed into a display that is 27 feet across and 15 feet tall. The resulting 160,000 lumens of brightness will be seen for many city blocks in the heart of downtown Louisville, Kentucky as part of the 4-day International Idea Festival (www.ideafestival.com).

Imagery that has never before been seen at its native resolution will be unveiled as part of the event.

Call for Imagery, Art, and Content

The display will showcase media from artists and content creators across many domains including science, engineering, medicine, gaming, entertainment, and art. We are looking for media that can take advantage of this increased resolution as well as the public nature of the project. Works selected will reflect both technical and conceptual possibilities presented by the future of high-resolution displays.

Content will be edited into a continuous video loop that will display contributions throughout the 4-day event from 8am to 10pm. Accepted contributors will retain the copyright to their material and will receive acknowledgment on the display, on a printed schedule at the event, and at Mersive's website. All electronically contributed content will be deleted at the end of the event.

See Comments for Submission Details:

In War/At War: The Practice of Everyday

From Mat Rappaport via rhizome.org
CALL FOR SUBMISSIONS

War affects the daily life of all societies, cultures, families and individuals. The result is a climate of war, including the physical, economic, and psychological conditions created by the direct and indirect connection to this kind of violent conflict. We (in the broadest sense) generate and define the everyday, all becoming participants that shape perceptions of daily experience. In War our adjustments to everyday practices and daily life can reflect its radical climate, pointing to the nature of conflict and ones relationship to experience. We adapt. These adaptations vary depending on personal experiences and define one’s relationship to war and inform one’s everyday life.

In War/At War: The Practice of Everyday is an exhibition and series of events that investigates variations on everyday practices, projects, and tactics explored by individuals whom cope, adapt and adjust to War and the climate it produces.

Schedule
September 7, 2006 – Submission deadline
September 14, 2006 – Notification of acceptances
September 28, 2006 – Artwork due at OPENSOURCE
October 5, 2006 7-10pm – Opening reception

Please download the full Call for Submissions (pdf) for information about the exhibitions and our exciting program of events and talks

More about "In War/At War: The Practice of Everyday"

Select Media Festival 5

CALL FOR PROJECTS, WORKSHOPS, VIDEOS AND ART ACTION
Deadline for projects: September 7, 2006
contact: edmar ed(at)lumpen.com
www.selectmediafestival.org

Select Media Festival 5 takes place Oct 13 to Oct 22, 2006 throughout
Chicago.

SMF5: The DIY Academy
We are seeking documentaries, short films, animations, new media projects, workshops, skillshares, presentations and media to share and present.


Select Media Festival features video programs, brand new media, installations, performance programs, street art, public projects as well as experimental and advanced music. Our goal is to share innovative art and technology projects as well as culturally and socially charged work.
The festival is produced by Public Media Institute and Lumpen. It is organized by artists and activists from Chicago.

This years festivals components include:

-The Film/Video Program: Docs, shorts, animation. kick ass work.

-TLVSN: we will be airing and creating cable tv episodes during the festival. You can send us your tv to air on cable access too.

-The Other net and The Brand New Media: Net based and technology driven projects, and the new media channels.

-Performance Program: Live music and performance.

DIY Academy : How to XYZ :: This year we want to share ideas strategies and practical applications for intervention, agitation and public. Workshops, skillshares, presentations and ideas on how to __ the __ are welcome.

Please help us re-ignite dormant forces.

www.selectmediafestival.org


Send material to:
Select Media Festival 5
960 W 31st St
Chicago Il 60608
U$A

Internship Opportunity: QZAP-DAC Partnership

See the comments or the pdf for more details.

The Queer Zine Archive Project and the Digital Arts and Culture program is currently seeking an intern for the 2006-2007 academic year. This is an excellent opportunity for students interested in LGBT history and culture, digital arts, independent publishing, zines, digital archiving, and open source software to earn 6 credits (3/semester) and a small stipend. Attached is the call for applicants. Please pass this on to people in and around UWM that you think might be interested. Though there is no formal deadline, the last day to add classes for the fall semester is September 18th.
Thanks on behalf of the QZAP-DAC Partnership.

Milo Miller
Co-Founder
the Queer Zine Archive Project
http://www.qzap.org

QZAP_DACInternship.pdf

BIOS: The Poetics of Life in Digital Media

This from Randall Szott of placekraft and LeisureArts via Peter Ciccariello
and the Writing & the Digital Life blog:

Announcing BIOS: The Poetics of Life in Digital Media, hosted by the Center for Literary Computing at West Virginia University in Morgantown, WV. September 14-16, 2006.

BIOS: The Poetics of Life in Digital Media is an interdisciplinary symposium on the re-invention of life in digital media. The term BIOS captures capture boundary-crossing and hybridization of human and machine. For the ancient Greeks, BIOS referred to particular forms of life rather than life in general (zoe). BIOS therefore, was the form of life specific to the development of human society and political culture.
Understanding BIOS means understanding how humans adapt nature into culture. In computer science, by contrast, BIOS means something quite different: the basic input output system, the lowest level of code that allows a computer to run. BIOS is burnt into computer hardware and enables the machine to boot and run software programs and media. The two meanings of BIOS resonate with each other as basic requirements for a social system, whether in civic space or in cyberspace.

DAC/BLOG Nears, Surpasses Ten Thousandth Hit

Congratulations to c-24-15-231-167.hsd1.il.comcast.net from the United States who on Monday May 22 at 18:05:48 (6:05 pm) CST 2006 saw the counter on the DAC/BLOG go from four figures to five figures. That's a one with four zeros after it.

Anticipation is growing as the Digital Arts and Culture Blog approaches its ten thousandth (10,000th) hit. The filter style blog which posts events, calls for entries and proposals, courses, and media curiosities was inaugurated on February 24, 2004 by this blogger and program coordinator, Marc Tasman. This is the blog's ninety-ninth (99th) post coincidentally, and by analyzing past tracking results, I expect that the counter will add a digit and roll over next Friday, May 26th, 2006.
However, DAC/BLOG's participation in the popular_project (a del.icio.us and technorati tag, see also PopularProject) may accelerate the hit total. Suspenseful, isn't it?

Google's "Summer of Code"

From Sandra Braman:

It's too late for this year, but this is an annual opportunity for students (who earn $5K if they're chosen to participate) who are interested in further developing their open source skills and want to contribute to open source projects.

The Console-ing Passions International Conference on Television, Audio, Video, New Media and Feminism

from Elana Levine

The Console-ing Passions International Conference on Television, Audio, Video, New Media and Feminism will be held in Milwaukee May 25 – 27, 2006. For program and registration information, please visit our website. Please direct questions to cptv[at]uwm[dot]edu. Hope to see many of you there!

ONE HOUR VIDEO

Wednesday May 17th from 8:00-9:00 pm
ACL 120
________________

Students from Mat Rappaport's Video and Audio Strategies course will
be presenting their short video works. The videos ask important
questions such as " what is an art video anyway?, "why don't men
pluck their beards?", "What does a years worth of butter consumption
look like anyhow?" and "will the world end by media death or nuclear
catastrophe?". Hmm. I want to know, don't you?

So, please join us and feel great.

History and Change, International Digital Media Call for Papers

Thanks, Jeff Smith:
History and Change, International Digital Media Arts Association

Call for Papers Deadline: 2006-08-01

The Journal of the International Digital Media and Arts Association is currently seeking submissions for a special themed issue on History and Changing Paradigms: the Role of Digital Media and Arts in How We View our World. The Journal of The International Digital Media and Arts Association is a quarterly seeking to respond to the rapidly developing field of digital media and arts in a variety of settings-academic, educational, artistic, political, and social. The editorial board
invites original submissions that consider the development, application, and understanding of digital media and arts; the purpose of the journal is promote awareness of this growing field and to prompt discussion about the issues that are a part of our increasingly digital world. In this special issue, we seek work that considers how digital media and arts have been contributing to changes in the ways that people see their world, both literally and conceptually, with a particular emphasis on the "idea" of History.

PLEASE CONTACT SHARON ROSS FOR FULL CALL GUIDELINES AS TO LENGTH, FORMAT.

Sharon Ross
Columbia College Chicago
sross[at]colum[dot]edu

JMC courses for DAC credit

Consider these Fall 2006 courses for DAC practicum credit:

JMC 280(LEC-001): Introduction to Digital Video for Documentary

Instructor: Tess Gallun

Course Description:

This course is for students interested in learning how to create long-format, non-fiction narratives through the use of digital video. Terms and techniques appropriate for working in visual media will be introduced as well as distinct shooting styles and editing approaches for developing a concise documentary-style story. Coursework will encompass learning how to shoot and edit video packages intended for television documentaries, educational videos, and investigative journalism stories. This course will provide practical hands-on training with professional field equipment and non-linear editing software to begin to prepare students for a successful career creating digital video narratives.

JMC 660 Advanced Documentary Journalism (Prereq: jr st.)

Instructor: Alison Rostankowski

Course Description:

This course is for students interested in learning how to produce a broadcast quality documentary fit for television or film festival entry. Student documentaries produced in this class have aired on Milwaukee Public television, screened at the Board of Regents Meeting and won the top prize at the Detroit Documentary Film Festival. This course focuses on how to research, produce, direct and write non-fiction narratives. The course instructor will guide you through the creative process, help shape your idea into a narrative, and introduce you to the many skills that a professional storyteller needs to master out in the “real world.” You will learn how to pitch an idea for a show, how to interview subjects, and discover important techniques for writing an engaging script. Students will also be introduced to in-depth hostorical research techniques, and licensing music and archival footage.

Conference on Openness

From Sandra Braman:
This conference is coming up in Chicago -- it's free to students (just register as a helper), near-by, and has some pretty amazing people attending even if I am too.

http://numenor.lib.uic.edu/fmconference/

Sandra

Held at
University of Illinois at Chicago
Behavioral Sciences Building, Room 250
1007 W. Harrison
Chicago, Illinois, USA
60607-7140

May 15 - 17, 2006
FM10 Openness: Code, Science and Content is convened by the volunteer-run journal First Monday (http://www.firstmonday.org), the University of Illinois at Chicago (UIC) University Library and the Maastricht Economic Research Institute on Innovation and Technology (MERIT) located at the University of Maastricht, the Netherlands, and now a United Nations University Research and Training Centre. The UIC Library has provided a home for First Monday, including its Web server, since 1998, and provides the venue, logistical and content support for this conference. MERIT hosted the first First Monday conference in Maastricht, November 2001, and provides support for the content of this conference.

Robert Sengstacke, Civil Rights Photographer

Brought to you by Raoul Deal and Nicolas Lampert:

Robert Sengstacke, Monday, April 24th
2:00pm - 3:15pm
ACL 120

Robert Senstacke’s photographs over the past fifty years have received national as well as international recognition and acclaim. He was the head photographer and photo editor at the Chicago Defender, one of the most important and influential African American papers in the country. During the Civil Rights Movement, Sengstacke documented the movement in the South and in Chicago. The New York Times in 1987 during a review of his work defined him as "one of the most significant photographers of the Civil Rights generation."

His photographs of the late Dr. Martin Luther King Jr. have been featured in numerous exhibitions and books. Stanford University's History Department selected 100 of Sengstacke's photos that were used to chronicle the life and times of the Dr. Martin Luther King Jr. Other Sengstacke works have been exhibited at the Smithsonian Institution, the DuSable Museum of African-American History, the Museum of Science of Industry, Spellman College, the University of Illinois at Chicago (UIC) Circle Campus the University of Illinois Urbana campus, and the University of Minnesota.

Other works have appeared at the renowned Schomburg Center for Research in Black Culture. The Schomburg Center, now part of the New York City Public Library system is a repository of 50 of Sengstacke's King photographs. Sengstacke is also noted as the first African-American photographer from Chicago to have a major exhibition to appear in Chicago's Loop at the main branch of the Chicago Public Library in 1969.

Sengstacke's work as a photographer has led him to travel the world over. His development as a photographic artist would forever be changed by his experience. The rich cultural influences of ancient societies of Egypt, Syria, Lebanon, Jordan, Israel and Jamaica would add a world-perspective and insight that further hone his craft. Outside of his work at the Chicago Defender, Sengstacke was Muhammad Speaks first non-Moslem staff photographer. He has also been an artist-in-residence at Fisk University and the General Manager and the Publisher of the Memphis Tri-State Defender.

Randall Szott: Speculative Cartography and the Praxis of MySpace

Digital Arts and Culture
Colloquium
Thursday April 27, 2006
Merrill Hall 131
3:30 pm

How MySpace, Blogger, Amazon, Ebay, Google Maps, and del.icio.us are driving cultural production and inspiring new forms of resistance.

Randal Szott is the founder of LeisureArts: an infra-institutional practice engaged with various forms of ephemeral, convivial, and quotidian cultural production; and the director of placekraft: an interdisciplinary research module devoted to generating and studying: tactical urbanism, speculative cartography, ephemeral/vernacular architecture, and itinerant practices.

Projects produced by these units take the form of curatorial endeavors, lectures, reading groups, performances, interventions, written reports, web authoring, and more. They have a shared interest in making their activities public in varied contexts: institutional, anti-institutional, and non-institutional.

Concept Trucking, Szott's recent project, is an on-line exhibition platform that engages the social networking site MySpace.

SPONSORED BY DAC AND THE
SCHOOL OF VISUAL ART
GRADUATE STUDIES
LAYTON FUND

Constant Capture

21-22 April 2006 - Hefter Conference Center
University of Wisconsin-Milwaukee

Organized by Lane Hall, Jon McKenzie and Patrice Petro, "Constant Capture: Visibility, Civil Liberties, and Global Security" will investigate the role of visual media and imaging technologies in two interrelated areas: the policies and practices of global security and the struggle for civil liberties around the world.

Fair Use Free Speech Contest

Fair Use Free Speech
A University Film and Video Association Film Contest $1000 Prize
Deadline, May 6, 2006
Download the flyer and get the entry form.

News:
Fair Use Free Speech :
April 12, 2006 - 10:12 AM
Deadline: May 1

CRITERIA:
- Work must be 5 minutes or less
- Work must be a documentary in any genre, including but not limited to essay, satire, parody, historical, musical, and personal
- It must employ fair use in quoting copyrighted material
PRIZES:
- $1,000 faculty only plus one year membership to UFVA
- $1,000 best co-production between faculty and student(s), plus one year membership to UFVA
- $500 second prize co-production plus one year membership to UFVA
- Winners will be screened at the UFVA Conference in August, 2006 and showcased on the Center for Social Media’s website.
2006 UFVA Conference :
November 28, 2005 - 10:22 AM
August 1-5, 2006
Chapman University

Projecting Off The Wall -- CALL for ART

From the New Media Caucus

In Conjunction with the 4th IEEE International Workshop on “Projector-Camera Systems “ (ProCams 2006)

Co-sponsored by ITP/Interactive Telecommunications Program, Tisch School of the Arts, New York University

Recently there has been an explosion of interest in systems that combine digital light projection with cameras and interaction. Projecting off the Wall is a unique art event that will bring together artists, scientists, and the public for a showing of projector-camera art installations and demos, and is sponsored by the Workshop on Projector-Camera Systems. Previous ProCams events have been held in Nice, France (2003) and San Diego (2005), however this is the inaugural ProCams Art Event.

The ProCams workshop involves the worlds leading researchers in projection and interactive display technologies and has had increasing participation from the art community. With Projecting off the Wall, the conference organizers hope to foster connections between art and science that focus on the art as much (or more) than the technology.

We are specifically looking for artworks that include both projectors and cameras as integral elements of a unique viewer experience. This includes work that:

* incorporates computer vision, object tracking and recognition

* utilizes and/or addresses passively sensed environments

* uses active and non-traditional projection techniques

* involves projection onto custom screens, surfaces and objects

* deals with the aesthetics of projected light and digital projection

* engages issues of ubiquitous camera surveillance

* includes real-time projected display of live camera input

* combines multiple projections in innovative ways

* uses projectors and cameras to create immersive and interactive experiences

In addition, outstanding pieces that explore the themes of interactive experiences and immersive displays will be considered.

The show will take place on June 18th at Tisch School of the Arts, 721 Broadway.

Visit www.procams2006.org/artExhibit.html to submit a proposal. Limited funds are available to offset travel and shipping costs.

Submission deadline: May 15, 2006

Exhibition dates: June 18

ProCams

ITP Department, Tisch School of the Arts