Vital Source Magazine is looking for a graphics intern for the fall
semester. Applicant must have experience in Adobe suite and be
available 10-15 hours per week. Duties will include, but are not
limited to, creating ads, editing photographs and helping in layout.
The internship is unpaid but Vital does work with all area college and
university internship programs so you will receive credit for your
work.
Please contact esolochek[at]vitalsourcemag.com.
Evan Solochek
Assistant Editor
Vital Source Magazine
P: 414.372.5351
F: 414.372.5356
W: vitalsourcemag.com
Digital Arts and Culture, an interdisciplinary certificate program at the University of Wisconsin-Milwaukee, combining courses in the areas of arts, humanities, social sciences and information studies AND a networked community of students, artists, scholars, and practitioners, imagining the future by studying and shaping emerging forms.
Monday, August 29, 2005
MilwaukeeBeacon.com looking for a tutor on Webdesign
"MilwaukeeBeacon is a start-up newspaper with an online presence. At the present time, we are looking for a tutor to teach flash and dreamweaver. Our webmaster is going to school in Florida. So, we need someone in the Milwaukee area. To learn more about us, please check out the website: www.milwaukeebeacon.com. This website will give you an idea. If you are interested in this part-time position, please contact us:
Andrew Shaw
Milwaukee Beacon, Inc.
gtndigital[at]hotmail.com
www.milwaukeebeacon.com
414 535-7804
Compensation is $10.00/hr or $20 per lesson (You decide). We need someone who is located in the Milwaukee area. Finally, we need someone who wants to make a difference with his/her life."
Original URL: http://milwaukee.craigslist.org/art/92066835.html
Andrew Shaw
Milwaukee Beacon, Inc.
gtndigital[at]hotmail.com
www.milwaukeebeacon.com
414 535-7804
Compensation is $10.00/hr or $20 per lesson (You decide). We need someone who is located in the Milwaukee area. Finally, we need someone who wants to make a difference with his/her life."
Original URL: http://milwaukee.craigslist.org/art/92066835.html
Monday, August 22, 2005
Robert Moog, Creator of Ubiquitous Synthesizer Dies
There is a really nice audio slide show narrated by Allan Kozinn on The New York Times website detailing the accomplishments of this sound engineer who has influenced music from the Beatles to the Beastie Boys. See his company's website for a simple obituary, and to see the Moog Community.
Friday, August 19, 2005
Student Web Developer Employment Opportunity
The University of Wisconsin-Milwaukee's College of Letters and Science web development team seeks a student web developer. Knowledge of css, xhtml, Dreamweaver, text editors, and Photoshop is required; knowledge of Cold Fusion is also desired. At first the employee would work approximately 12-16 hours a week (approx. half the time maintaining existing sites and half the time developing css for new sites. We would be particularly interested in students with Sophomore or Junior standing who are looking for longer-term work on campus and interested in becoming proficient standards-based web developers.
For more information on applying for the position contact Homer Hruby at
thhruby[at]uwm.edu.
For more information on applying for the position contact Homer Hruby at
thhruby[at]uwm.edu.
Thursday, August 18, 2005
CALL FOR VIDEOS: INPORT International Video-Performance Art Festival (Estonia)
From Paul Coulliard and FADO:
Performance artists all around the world are invited to send proposals for INPORT, International Video-Performance Art Festival, in Tallinn, Estonia on November 2005.
INPORT would like to bring artists from all around the world closer to Estonian audiences. This is non-profit Festival and unfortunately we have a very small budget so we can only show your video/videos on a single screen. We can't offer artistic fees, accommodation or travel expenses. After the Festival we will produce an on-line catalogue on the Festival web-site (http://www.inport.tk).
Last year we received nearly 260 videos from 19 countries; INPORT Festival presented 36 videos by artists from around the world.
Performance artists are invited to submit proposals for Festival in the following categories:
Video-performance (performances made specially for camera)
Video documentary (video documentations of performances)
Formats accepted: VHS (PAL only), miniDV (PAL only), VCD, DVD
There's no limit of length, but please don't send the masters!
There are no official entry forms or entry fees!
Enclosed with the video/videos you must send the following (with e-mail or CD-R/Word document):
Performance artist or group name
Performance title
Statement of performance
Performance date, venue, Festival or event where it was first performed
Brief resume of the performance artist
Contact info (e-mail, postal address, etc.)
Deadline: 15.September 2005 (postal stamp)
Materials will not to be returned, but will be kept in the Festival archive for the projects in the future and for interested curators and art festival organizers!
Send all materials to:
Gert Hatsukov
(INPORT curator and organizer)
Pikk 4-11
Paide
Estonia
All deliveries from international participants must be marked:
"NO COMMERCIAL VALUE - FOR CULTURAL PURPOSES ONLY"
If you have any questions, please contact: inport.festival@mail.ee
Performance artists all around the world are invited to send proposals for INPORT, International Video-Performance Art Festival, in Tallinn, Estonia on November 2005.
INPORT would like to bring artists from all around the world closer to Estonian audiences. This is non-profit Festival and unfortunately we have a very small budget so we can only show your video/videos on a single screen. We can't offer artistic fees, accommodation or travel expenses. After the Festival we will produce an on-line catalogue on the Festival web-site (http://www.inport.tk).
Last year we received nearly 260 videos from 19 countries; INPORT Festival presented 36 videos by artists from around the world.
Performance artists are invited to submit proposals for Festival in the following categories:
Video-performance (performances made specially for camera)
Video documentary (video documentations of performances)
Formats accepted: VHS (PAL only), miniDV (PAL only), VCD, DVD
There's no limit of length, but please don't send the masters!
There are no official entry forms or entry fees!
Enclosed with the video/videos you must send the following (with e-mail or CD-R/Word document):
Performance artist or group name
Performance title
Statement of performance
Performance date, venue, Festival or event where it was first performed
Brief resume of the performance artist
Contact info (e-mail, postal address, etc.)
Deadline: 15.September 2005 (postal stamp)
Materials will not to be returned, but will be kept in the Festival archive for the projects in the future and for interested curators and art festival organizers!
Send all materials to:
Gert Hatsukov
(INPORT curator and organizer)
Pikk 4-11
Paide
Estonia
All deliveries from international participants must be marked:
"NO COMMERCIAL VALUE - FOR CULTURAL PURPOSES ONLY"
If you have any questions, please contact: inport.festival@mail.ee
Wednesday, August 17, 2005
FedEx invokes Digital Millennium Copyright Act (DMCA) against Unusual Blogger
There is some exciting legal back and forth between FedEx and the Center for Internet and Society Cyberlaw Clinic, who is representing Jose Avila. He built all kinds of furniture for his apartments using only empty FedEx boxes and packing material. His friends encouraged him to document his remarkable work and publish a website, fedexfurniture.com and blog, that chronicles his odyssey . The Big Company didn't like that and tried to bring the wrath of the DMCA on the young artist Jose.
Tuesday, July 26, 2005
The Milwaukee Divide
The Union Art Gallery is located at 2200 East Kenwood Boulevard on the Campus level is free and open to the public. The gallery will be open for Gallery Night from 11am-9pm on Friday and 11-3pm on Saturday.
Union Art Gallery Director Andrea Skyberg has curated a smart bunch of artists in this exhibition that looks at divisions in Milwaukee. Coming from a myriad of formal and political perspectives the works seem to spark and sparkle- many works use video and invite viewer interaction.
In works like Jeremy Brown's, where any person walking into the space has their moving image projected but eerily divided by a wall that only exists as a digital construct.
Jamal Currie and Steve Wetzel's works uses antennae and video transmitters and receivers to describe an idiosyncrasy in Milwaukee's segregation: Where does Old World Third Street End and Martin Luther King Jr. Drive Begin?
Marc Tasman's video work shows us in surveillance video a string of people trying to steal a John Kerry for President sign. In another video we see the haunting flames that dance as they devour a Bush/Cheney sign while the Music of a Belly Dancer's band plays the theme from Laurence of Arabia. Both videos come projected out of a four foot stack of firewood - atop the pile are the actual embattled signs from the surveillance videos.
Also highly intriguing is Nicholas Lampert's photos of North Avenue as it begins on the western outskirts and sketches all the way to Lake Michigan. Reminiscent of the work of Ed Ruscha, the photos also invoke other famous dividing walls, formerly in Berlin and now in the West Bank. This sixty foot long wall in the gallery, covered by this line of photos shows us the visual culture of the city in unique storefronts and street art.
The entire show is held together by stark panels of statistical data detailing the changes of populations of African American, Latinos, and Whites in Milwaukee.
Powerful. Not to be missed.
Additional artists include:
Jesus Ali
Jenny Plevin & Allison Westbrook
Armando Gallegos
Alisha Dallosto
Eliot White
Michael Maier
Runs through August 5. Open during summer Gallery
Night and Day on July 29th & 30th., with closing
performance on Friday, August 5th from 8-10:30 by
Lyrical Sanctuary (an open mic series that welcomes
poets, artists, and performers to express themselves
before a captive audience).
For more info see
http://www.aux.uwm.edu/Union/events/gallery/e-announcment/Untitled-1.htm
+
http://www.aux.uwm.edu/Union/events/gallery/index.html
From the press release:
The Union Art Gallery at the University of Wisconsin-Milwaukee (UAG) is pleased to present the exhibition The Milwaukee Divide from July 8 th –August 5 th , 2005. This exhibition tackles the issues of segregation and separation in Milwaukee through the mediums of video installation, photography, painting and sculpture. The topics of segregation and separation are being interpreted broadly to include racial issues, as well as geographical, political, gender and economic segregation in Milwaukee.
Wednesday, May 25, 2005
Photography Crime
I can imagine a pastiche of the 1971 film, Dirty Harry, where the alleged lucky feeling punk, who makes Detective Harry Callahan's day reaches for a digital camera instead of a gun. Milo sent me this link that once again poses the conflict between National Security and the essential rights of every American to Express Free Speech and Bear Cameras.
Is Photography Becoming Illegal?
Even though there's no law against it, you may be interrogated the next
time you snap a picture of the Empire State Building.
How Journalists and PR Professionals Use Blogs
A Forum sponsored by PR Newswire in the San Francisco Bay Area highlights how blogs are becoming more influential on mainstream media outlets. One major advantage sited in this forum of blogs over traditional print and broadcast media is the speed and ease of bloggers to correct mistakes online.
Panelist David Whelan, staff writer for Forbes, countered that mainstream media has one big advantage over blogs: "Most blogs are derivative; very few bloggers pick up the phone or look through documents. They do a lot of important analysis and commentary, but mainstream media will do more reporting."
Thanks to Steve Rubel for deriving this before me.
Panelist David Whelan, staff writer for Forbes, countered that mainstream media has one big advantage over blogs: "Most blogs are derivative; very few bloggers pick up the phone or look through documents. They do a lot of important analysis and commentary, but mainstream media will do more reporting."
Thanks to Steve Rubel for deriving this before me.
Call for Submissions: Enso and Lorg
From Andrea Fitzpatrick at the National University of Ireland (NUI) in Galway, Ireland.
Enso and Lorg call for work by performance, video & sound artists, dancers, musicians for collaboration at various venues around Galway during the Galway Arts Festival 2005.
Please send samples of work to ensoart[at]yahoo.ie or to
Enso, c/o Artspace,
7-8 Addley Park,
Liosban Industrial Estate,
Galway, Ireland
www.ensoart.com
Closing date: 13th of June 2005
Enso and Lorg call for work by performance, video & sound artists, dancers, musicians for collaboration at various venues around Galway during the Galway Arts Festival 2005.
Please send samples of work to ensoart[at]yahoo.ie or to
Enso, c/o Artspace,
7-8 Addley Park,
Liosban Industrial Estate,
Galway, Ireland
www.ensoart.com
Closing date: 13th of June 2005
Friday, May 20, 2005
Once Hactivist Hero Now Called Fraud
Spanish University Lecturer Forced to Resign Over P2P -- Now discredited by the Spanish Blogoshpere that gave him his rise, Jose Cortell has come under attack for his crudentials.

Cortell had been teaching about "Intellectual Property" among other subjects in the Polytechnic University of Valencia UPV (Spain) for more than 5 years, when he tried to organize a Conference to defend the legal use of Peer to Peer Networks in Spain. What followed were claims that pressure was applied by the Spanish Recording Industry Association, and even the Motion Picture Association of America to the Deans and Directors at the University for Cortell's resignation. Then the stories of a fake C.V. emerged. See Comments.
Cortell had been teaching about "Intellectual Property" among other subjects in the Polytechnic University of Valencia UPV (Spain) for more than 5 years, when he tried to organize a Conference to defend the legal use of Peer to Peer Networks in Spain. What followed were claims that pressure was applied by the Spanish Recording Industry Association, and even the Motion Picture Association of America to the Deans and Directors at the University for Cortell's resignation. Then the stories of a fake C.V. emerged. See Comments.
Thursday, May 19, 2005
Bill Moyers on Media Reform
The National Conference for Media Reform, organized by Free Press convened last week in St. Louis. I picked this up from Grace Hanson, writer for the Utne Reader Online. Be The Media, blogging from the audience, hallways and streets of the conference collected and commented on some pretty substantial content, even some audio files of speeches, including Bill Moyers rousing speech, his first public appearance since leaving PBS six months ago (transcript here). He quotes Jason Miller on corporate corruption of mainstream media "...the real hope [for Journalism] lies within the Internet..."
Tess Gallun's Women Combat Photographers
Documentary filmmaker Tess Gallun, while pursuing her MA in The Department of Journalism and Mass Communication at UWM, is doing some amazing work that draws on her own experiences, as well as the timely subject of Representation of War.
What I like about Tess' work is that it is very active, having an activist quality to it, but the call to action does not seem partisan. This call is to examine closely the experiences, feelings and actions of female photographers shooting (their cameras) in the midst of killing. How do these photojournalists justify their subject/object relationships in very raw situations where death, brutality, compassion, and ambition spill out and pool together in dramatic scenes?
Tune in to find out, Gallun is presenting a paper called Death's Conflicted Responsibility: Female Photojournalists and Front-line Ethics, to the International Communication Association Conference in New York, at the end of the month.
Visual Culture in Music Culture
Louisville based Peter Berkowitz writes music critcism and interviews artists.
He just showed me his blog where his two most recent reviews are of Louisville bands and musical combos named the Photographic, Instant Camera, and VHS or Beta (groovy website).
Berkowitz on Instant Camera:
What gives Instant Camera an edge on similar groups is its ability to draw inspiration from yet another source: hints of the theatrical German cabaret style emerge in the last songs, "Terrorvision" and "Hearing Is Disbelieving."
What I find amazing are these Louisville bands' referncences to Visual Culture and Photography. Louisville is where I came from, and before me, Muhammed Ali, Hunter S. Thompson, and Louis Brandeis. But what is going on down there, now?
Monday, May 16, 2005
Jon Stewart Burns Corporate TV on Blogs
Jon Stewart did a nice bit of scathing news on the news on the news. It's getting hard to see the parody through the truth anymore. In any case, here is the link to the clip describing the lackluster job that mainstream Television News does in reporting from the Blogosphere (from the May 9, 2005 Daily Show).
Thank you Lisa Rein.
Friday, May 13, 2005
CALL FOR SUBMISSIONS: "Open City" Video Pool (Winnipeg)
Paul Couillard maintains this FADO elist with lot of amazing intermedia performance calls:
Artists are invited to submit works for an art exhibition during the 2nd annual Open Source Cultural Exchange called OpenCity, taking place August 17 - 20, 2005 in Winnipeg's Exchange District. We are looking for art in any media which responds to the idea of a Cultural (and Technological) Commons, Free Software, Open Source and the creation of shared-culture alternatives to corporate-controlled culture.
OpenCity believes that creativity always builds on the past, and that unrestricted, unbalanced copyright law wielded by powerful media conglomerates can stifle an artist's transformative re-use of material. If you are making artwork which explores these ideas, submit 10-20 slides, a CD or DVD, video, audiotape or URL, plus a curriculum vitae and a brief artist's statement. OpenCity invites submissions of: New
Media, Experimental Electronics, Video, Performance, Installation, Audio Art, Painting, Sculpture, Digital Art etc. The jury will consist of professional artists and OpenCity programmers.
Artist fees will be paid. Deadline for submissions: June 10, 2005
Send submissions to:
OpenCity Exhibition
c/o Video Pool Inc.
300-100 Arthur Street
Winnipeg, Manitoba
Canada R3B 1H3
Please enclose a self-addressed stamped envelope if you would like your material returned. Only artists selected for the OpenCity Exhibition will be notified. For more information on OpenCity please see http://www.freeculture.ca
Tuesday, May 10, 2005
Morgan Freeman Wins Control of morganfreeman.com
From Yahoo!News AP:
Arbitrators for the World Intellectual Property Organization ordered the transfer of the domain name to the American actor, who had complained that it was being used in bad faith to divert Internet traffic to a commercial search engine.
Tuesday, April 26, 2005
Command Lines: The Emergence of Governance in Global Cyberspace
The Center for International Education at the University of Wisconsin-Milwaukee is pleased to announce

Command Lines: The Emergence of Governance in Global Cyberspace
a colloquium at the Hefter Conference Center, University of Wisconsin-Milwaukee, April 29-30, 2005, organized by Sandra Braman, Dept. of Communication, braman[at]uwm[dot]edu and Thomas Malaby, Dept. of Anthropology, malaby[at]uwm[dot]edu.
free and open to the public
The transfer of many realms of social life to the global domain of cyberspace presents numerous challenges to formal governance through law and law-making while increasing the relative importance of other approaches to "the conduct of conduct." While governments struggle to develop and apply laws to cyberspace, the producers of the internet (its users and programmers) create their own parameters, norms, practices, and rules that control life online. Experience within cyberspace, whether building a virtual world, making or participating in games, or learning how to communicate congenially and productively in a listserv, is becoming the most important training in political life for many. Governance systems being developed within cyberspace in turn are providing models for, or interact with, the laws of governments. This colloquium will examine the diverse ways in which governance is developing within cyberspace and the effects of such approaches on governance in the off-line world. Sessions will cover the entire range of types of governance mechanisms, from the formal laws of government through the formal and informal governance mechanisms of both state and non-state actors to the cultural practices of governmentality that sustain and enable both governance and government.
Command Lines: The Emergence of Governance in Global Cyberspace
a colloquium at the Hefter Conference Center, University of Wisconsin-Milwaukee, April 29-30, 2005, organized by Sandra Braman, Dept. of Communication, braman[at]uwm[dot]edu and Thomas Malaby, Dept. of Anthropology, malaby[at]uwm[dot]edu.
free and open to the public
The transfer of many realms of social life to the global domain of cyberspace presents numerous challenges to formal governance through law and law-making while increasing the relative importance of other approaches to "the conduct of conduct." While governments struggle to develop and apply laws to cyberspace, the producers of the internet (its users and programmers) create their own parameters, norms, practices, and rules that control life online. Experience within cyberspace, whether building a virtual world, making or participating in games, or learning how to communicate congenially and productively in a listserv, is becoming the most important training in political life for many. Governance systems being developed within cyberspace in turn are providing models for, or interact with, the laws of governments. This colloquium will examine the diverse ways in which governance is developing within cyberspace and the effects of such approaches on governance in the off-line world. Sessions will cover the entire range of types of governance mechanisms, from the formal laws of government through the formal and informal governance mechanisms of both state and non-state actors to the cultural practices of governmentality that sustain and enable both governance and government.
Tuesday, April 19, 2005
Deviant Art Forum
This just in from Kari Hanson, one of the brightest up and coming Community Arts Educators and Advocates. Kari and I worked together on AWE's Art Truck / Truck Studio bringing Art to the kids in Milwaukee's Parks for 6 weeks in the summers. Now she's working with Public Allies, an Americorps program, organizing community service projects for youths.

My team is working with the Latino Community Center here in Milwaukee, specifically a small group of folks called TRUE Skool (Truth and Reality in Urban Education). On Wed. May 4th we are holding a forum called "Deviant Art" on the criminalization of graffiti/aerosol art in Milwaukee. So far we have confirmed some interesting folks for the panel, including Sharon Blando who is part of the anti-graf task force, Matt
Nowak, the owner of a graf/hip hop supply store called UPROC, and Judge Derek Mosley. We're also working on Alderman Tony Zalinski, the chair of the anti-graf task force but we'll see if he's willing... and looking for another artist, maybe graf artist, but most have understandably been hesitant to be part of the panel. We have questions prepared for the panelists and they will have equal time to talk after which the audience will also be invited to ask questions.
DEVIANT ART: a forum on the criminalization of graffiti/aerosol art in Milwaukee
Free admission and all ages and opinions welcome!
Wednesday May 4th
7-8:30pm (+ more fun after the forum)
@ The Latino Community Center 807 South 14th St. Milwaukee
Peace,
Kari Hanson
www.trueskool.org
www.publicallies.org
My team is working with the Latino Community Center here in Milwaukee, specifically a small group of folks called TRUE Skool (Truth and Reality in Urban Education). On Wed. May 4th we are holding a forum called "Deviant Art" on the criminalization of graffiti/aerosol art in Milwaukee. So far we have confirmed some interesting folks for the panel, including Sharon Blando who is part of the anti-graf task force, Matt
Nowak, the owner of a graf/hip hop supply store called UPROC, and Judge Derek Mosley. We're also working on Alderman Tony Zalinski, the chair of the anti-graf task force but we'll see if he's willing... and looking for another artist, maybe graf artist, but most have understandably been hesitant to be part of the panel. We have questions prepared for the panelists and they will have equal time to talk after which the audience will also be invited to ask questions.
DEVIANT ART: a forum on the criminalization of graffiti/aerosol art in Milwaukee
Free admission and all ages and opinions welcome!
Wednesday May 4th
7-8:30pm (+ more fun after the forum)
@ The Latino Community Center 807 South 14th St. Milwaukee
Peace,
Kari Hanson
www.trueskool.org
www.publicallies.org
Contagious Media Showdown
This from Comrade Mat Rappaport Assistant Professor : Digital Media The University of Wisconsin/Milwaukee

Announcing the world's first Contagious Media Showdown. Do you have what it takes to corral enough traffic to win the cash prizes? Can you make the next Dancing Baby, All Your Base, or Star Wars Kid and ride into the sunset with the bounty? This is your chance to prove you are the best in the West.
April 28-June 4th the New Museum of Contemporary Art will feature "Contagious Media", an art exhibition presented in conjunction with theShowdown.
Announcing the world's first Contagious Media Showdown. Do you have what it takes to corral enough traffic to win the cash prizes? Can you make the next Dancing Baby, All Your Base, or Star Wars Kid and ride into the sunset with the bounty? This is your chance to prove you are the best in the West.
April 28-June 4th the New Museum of Contemporary Art will feature "Contagious Media", an art exhibition presented in conjunction with theShowdown.
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