Thursday, February 23, 2006

How Little We Know of our Neighbours


From Carl Bogner, Thank you.

Friday, February 24, at 7pm
Woodland Pattern Book Center
720 E Locust St.

another chapter from the history of surveillance:

Rebecca Baron's
How Little We Know of our Neighbours

In London today an average person venturing out on the street can expect to be photographed 300 times. Within the last four years, the number of surveillance cameras in England has quadrupled. There are more surveillance cameras there than in any other country in the world.

In How Little We Know of our Neighbours, Rebecca Baron considers the roles that cameras have played in public space, in England's in particular. She offers a history of the seemingly unstoppable Mass Observation Movement, an eccentric 1930's social science enterprise, born from a marriage of purpose between anthropologists and surrealists, who wanted to document traces of the unconscious in the everyday as a way to create an "anthropology of ourselves."

Baron suggests how benevolent survey and even casual street photography can morph into something more pervasive and stealth: the Mass Observation Movement was later reincarnated as a domestic spying unit during WWII, and eventually emerged as a market research film in the 1950's.

"Mass Observation's history," Baron writes, " is echoed in a range of present-day phenomena from police surveillance to web cams to reality television that point to ways in which our notions of privacy and self-definition have changed."

Show starts at 7pm. Admission $2.

Monday, February 13, 2006

Eisner Museum College Lecture


From Becky Crowder:
Thursday Feb. 16 at 6 p.m. is the first in the 2006 Only At The Eisner college lecture series. Thursday's lecture is titled "So, you wanna be a grown up?" and features a panel of recent college grads talking about how they landed that first job and what's it is like to go to work instead of class. The panel features two Journalism and Mass Communication grads, Tiffany Weber and Brian Stefanik. The cost is $5 and includes pizza and soda.

More information is available at www.eisnermuseum.org.

Thursday, February 09, 2006

Call for Participation, Projects, Presentations, Provocations


See comments for more description.
Thank you Mat Rappaport:

Call for Participation // Projects // Presentations // Provocations

Version>06 :: Parallel Cities
April 20- May 6, 2006 Chicago U$A

DEADLINE FOR PROPOSALS: FEB 28, 2005


Version is a hybrid festival focused on emerging discourses and practices evolving between art, technology and social and political activism. Version examines the activities of local configurations and external networks that use visual and conceptual art strategies, innovative social practices, creative uses of new technologies, organizing strategies, emerging activist/artist initiatives, campaigns, public interventions and DIY projects.

Please visit www.versionfest.org for more information or go to
adoptanamerican.com/version06 to use the online submission form.

Alternatively you may mail your proposals to:
Version>06
960 W 31st St
Chicago Il 60608
USA

contact ed(at)lumpen.com for help.

Thursday, February 02, 2006

Bad Subjects


From Carol Stabile. Thank you.
"There is a new issue of Bad Subjects up online entitled Intermedia.
For those of you who are unfamiliar with it, Bad Subjects is the
longest continuously-running publication on the internet, having been
online since 1992. This collective publishes accessible cultural
criticism for a monthly audience of over 100,000 readers from around
the world. The 'zine appears approximately 4-6 times a year, and the
website features political editorials, reviews, and links to other
Leftist resources on the net."

Linden Lab Fellowship for Visual and Performing Arts



Thomas Malaby of Anthropology here at UWM passed this on. He studies virtual worlds, and has been looking in particular at Second Life, produced by Linden Lab.
Linden Lab Fellowship for Visual and Performing Arts

I'm very excited to announce that Linden Lab is offering its first fellowship in visual and performing arts for creative innovation in Second Life.

This $4,000 fellowship will provide a young artist with a chance to be free for a semester or summer to explore the use of the digital world of Second Life as an artistic medium. In doing so, we hope that we will see Second Life used to even greater potential in the expressive arts to the benefit of both the Second Life culture and the broader world of art.

I hope that all of you will take the opportunity to visit www.secondlife.com/education for more information, and please let anyone at your university who might be interested know of the March 15, 2006 application deadline. Applications will be reviewed by a panel of distinguished academics, and the fellowship recipient will be announced in mid-April.

Also, please feel free to share this announcement with any colleagues who may have eligible students.

If you have any questions, please just let me know. You can email me at robin[at]lindenlab.com.

Cheers,
Robin

Tuesday, January 31, 2006

Nam June Paik


Nam June Paik, great electronic media artist of the 20th century, died on January 29.

John Hanhardt
Guggenheim Museum of Art
Senior Curator of Film and Media Arts
Says:

Paik's journey as an artist has been truly global, and his impact on the art of video and television has been profound.To foreground the creative process that is distinctive to Paik's artwork, it is necessary to sort through his mercurial movements, from Asia through Europe to the United States, and examine his shifting interests and the ways that individual artworks changed accordingly. It is my argument that Paik's prolific and complex career can be read as a process grounded in his early interests in composition and performance. These would strongly shape his ideas for mediabased art at a time when the electronic moving image and media technologies were increasingly present in our daily lives. In turn, Paik's work would have a profound and sustained impact on the media culture of the late twentieth century; his remarkable career witnessed and influenced the redefinition of broadcast television and transformation of video into an artist's medium.

Saturday, December 31, 2005

Million Dollar Homepage Held for Ransom



A brilliant idea: sell each pixel on your website for one dollar each. Also, beautiful to look at-- a kind of internet ad quilt.
Then after the last pixels sold, a ransom note for $50,000 or else a denial of service attack. The FBI is on the case.

Made by Alex Tew, a 21-year-old student from a small town in England.
Also available, 20 cents a pixel.

Tuesday, December 20, 2005

Two Classes offered for DAC credit by Rappaport


TOPIC: Video & Audio Strategies for Visual Artist & Multimedia
Art 427 LAB 801 11903
3 cr
1/23-5/11
MW 4:00pm-6:30pm
MIT B43
Rappaport, Mathew J

DESCRIPTION:
Studio art course in which students learn about video and audio as a fine art tool to be used as a medium applied to gallery, installation and environmental works, as a tool for documenting art projects and as elements to be integrated in multimedia works. Students will be taught basic camera use, lighting technique, editing, recording, mixing and distribution.

FORMAT:
Class time will include demonstration, in class work/technical activities, work days and critique. Students will produce a series of short works that include short length creative projects and the documentation of preexisting art projects.

Graduate Students and advanced undergraduate art majors w/o video experience are encouraged to take this course.

*********

TOPIC: Visibility, Security & Strategies of Control & Resistance
Art 427 LAB 804 25496 cross listed with Fine Art 351 lab 804
3 cr
1/23-5/11
MW 12:30pm-3:15pm
MIT B43
Rappaport, Mathew J

DESCRIPTION:
This course is based on the premise that visual art can be used as a means for processing and visualizing complex ideas and can intersect and inform academic discourse.

Throughout the course we will be exploring systems of social and individual control which are predicated on making one aware that they are being viewed [like video cameras and tvs at the entrance of many retailers] or through the capturing of seemingly invisible information [like web based tracking technologies] and making the process known to influence behavior. We will investigate how theorists and artist frame and respond to these critical issues. Students will respond to this material with individual creative projects. The class will culminate with a collaborative art installation to be presented at the annual Center for International Education conference.

FORMAT:
In general the course is split between seminar style days and studio days. During the seminar periods, students will be required to prepare readings [from the syllabus] and short presentations for in class discussion. The studio days include demonstrations of basic media techniques in digital video, audio and imaging to assist students in developing visual art responses to the material discussed in the readings and seminar periods. Students must attend the conference which is held on campus over a Friday and Saturday late in the semester.

No prior technical experience is required, but curiosity and enthusiasm for a challenging and dynamic work environment are.

Tuesday, December 06, 2005

Taking the Lead: Women and the Changing Face of Television Drama


From Elana Levine:
University Satellite Seminar Series
Museum of Television and Radio

Taking the Lead: Women and the Changing Face of Television Drama

Thursday, December 8, 2005
7:30 p.m. to 9:00 p.m.
Bolton B-60

Today’s television landscape is fertile ground for female-led prime-time dramas; a cursory glance at the schedule yields the likes of Veronica Mars, Medium, Commander in Chief, The Closer…

Such was not always the case. In the era before the groundbreaking series Cagney & Lacey, hour dramas with female leads were rare indeed, the occasional escapist fare such as The Bionic Woman or Wonder Woman notwithstanding.

This seminar will trace the evolution of the female-led television drama, from its embattled past to its current ascendancy. What was the rationale for the network’s historical reluctance to launch such shows? What accounts for their current ubiquity? How have audience expectations changed? And where does the genre go from here?

Panel:
Barbara Corday, Cocreator, Cagney & Lacey
Susanne Daniels, President, Entertainment, Lifetime Entertainment Services
Jill Hennessy, Crossing Jordan
Jane Seymour, Dr. Quinn, Medicine Woman
Jenji Kohan, Creator, Weeds

Moderator: Cynthia Littleton, Deputy Editor, The Hollywood Reporter

This seminar is part of the Museum's She Made It initiative.

Monday, November 28, 2005

Banff New Media Institute launches webcast for Refresh! conference on new media art, science, technology



In late September, more than 200 new media practitioners from around
the world gathered at the Banff New Media Institute (BNMI) at The Banff
Centre for the first Refresh! international conference on the history
of media art, science, and technology. Today marks the launch of an
educational resource for new media artists, researchers, historians and
students across the globe - access to the Refresh! conference online:

http://www.banffcentre.ca/bnmi/programs/archives/2005/refresh/

Visit this comprehensive archive to watch and listen to discussion on
the relationship between new media and the disciplines of art history,
anthropology, computing sciences, media studies, and other intercultural
contexts.

Friday, November 18, 2005

FEC Opinion -- Press Exemptions for Blogs

From Fired Up!
FEC Issues Advisory Opinion On Fired Up! LLC: Victory For Free Speech
Submitted by Roy Temple on Thu, 11/17/2005 - 11:00am. Media | Regulation of Blogs And The Internet

"By a unanimous vote, the FEC today issued Advisory Opinion 2005-16 which concludes that the Fired Up! Network of blogs qualifies for the "press exception" to federal campaign finance law. The Commission adopted the draft opinion without revision."

The AO states in relevant part:

Fired Up qualifies as a press entity. Its websites are both available to the general public and are the online equivalent of a newspaper, magazine, or other periodical publication as described in the Act and Commission regulations.

---

The Commission concludes that the costs Fired Up incurs in covering or carrying news stories, commentary, or editorials on its websites are encompassed by the press exception, and therefore do not constitute "expenditures" or "contributions" under the Act and Commission regulations.
"

Thursday, November 10, 2005

Brett Bloom of Mess Hall, Temporary Services


From Lane Hall
Director, Graduate Studies
Visual Art Department
Peck School of the Arts
UW Milwaukee


This is another "must see" event: I just saw Brett Bloom's work at the
Smart Museum in Chicago in the "Beyond Green" exhibition, and heard Brett speak briefly at Mess Hall (chicago). He is doing some incredible work within an activist framework, and is involved with the collective Temporary Services. He is a very interesting and intense guy.

This event is coordinated by Nicolas Lampert, who has graciously
opening it up to all of us. (Thanks, Nicolas!)

Date: Thursday, Nov 10
Time: 7:30
Place: Bolton B95

Don't miss this one! (Key words: Hactivist, Activism, Collectives,
Environmental Art, Relational Art, Urban Farming, Civic Space, Social
Archives)

Brett Bloom, a professor at the School of the Art Institute of Chicago will present at 7:30pm in Nicolas Lampert's Art 309 seminar "The Culture of Nature" in Bolton Hall (B95)on Thursday, Nov. 10th. Brett works collaboratively with the group Temporary Services which explores how art can function outside of a traditional gallery and within a constructed social setting. (www.temporaryservices.org). He is also the co-author of "Making Their Own Plans/Belltown Paradise" - a book on recent environmental art practises.
Students/faculty/friends outside of our class are welcome to attend this event from 7:30pm - 9:30pm.

Wednesday, November 09, 2005

Heidi Brush- Consuming the Spaces of Global Tourism

Prof. Heidi Brush
Department of Journalism and Mass Communication
UW-Milwaukee

Global Studies Colloquium
Thursday, November 10, 2005
12:30-1:30 pm
Center for International Education
Garland Hall 104

This talk traces the pathways of the emerging figure of the global consumer-tourist, paying particular attention to the /spaces/ which both create and foster specific pathways and experiences while excluding others. The speaker compares the figure of the tourist with other metaphors of today's mobilities: migrant, pilgrim, nomad and traveler. Overall, this talk offers a critical cartography of the spatial practices of the contemporary global tourist.

This presentation is free and open to the public.

For more information, contact:
Nan Kim-Paik
Academic Programs
Center for International Education
UW-Milwaukee
Tel: (414) 229-2976
Email: nkim-paik[at]cie.uwm.edu

Tuesday, November 08, 2005

UNESCO links


The United Nations Educational Scientific and Cultural Organization has a DigiArts portal aimed at researching and disseminating different practices in the field of art, design, multimedia and music through diversified networks. Another page provides information on institutions, including research centres and educational institutions, engaged in interdisciplinary area of arts, science and technology in the USA.

IDMAA call for papers and works of art


The International Digital Media and Arts Association and the Miami University Center for Interactive Media Studies (Ohio) partner to present CODE – an examination of the many codes that drive the digital media and arts world. The conference takes place on April 6–8, 2006 and will be held on the campus of Miami University in Oxford, Ohio.
The website of the iDMAa+IMS 2006 Conference includes the Call for Papers as well as the Call for the iDEAs Exhibition.

Thursday, November 03, 2005

N. Katherine Hayles Lecturing at UWM


What Does Autonomy Mean in the Age of Nanotechnology?
Body Boundaries and Recursivity in `The Diamond Age’"
a lecture

Friday, November 4
3:30 pm
CRT 175

N. Katherine Hayles is the John Charles Hillis Professor of Literature at UCLA. Literature and science of the 20th century, electronic textuality, modern and postmodern American and British fiction, critical theory, and science fiction rank among her fields of expertise. She is the author of many articles and books, including How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics (Chicago, 1999), Writing Machines (MIT, 2002), and My Mother Was a Computer: Digital Subjects and Literary Texts (Chicago, 2005).

For more information: Please visit www.21st.uwm.edu, call 414. 229.4141, or e-mail kkramer@uwm.edu

Sponsored by: Lecture co-sponsored by the Center for 21st Century Studies, College of Letters & Science, with support from the Graduate School, as well as the Eta Chapter of Phi Beta Kappa, and the Department of English , University of Wisconsin-Milwaukee.

Thursday, October 27, 2005

The Art of Securing Distribution: Trends in Documentary Distribution

The Art of Securing Distribution: Trends in Documentary Distribution

Saturday, October 29, 2005, 2:00 p.m. Free & Open to the Public

Von Trier

2235 N. Farwell Ave.

Milwaukee, WI 53202

Distribution in the film industry is currently undergoing an enormous transformation. Our panel discussion series focuses on a specific type of film – the documentary – and examines how changes in distribution have impacted this specific genre. Please join our discussion of distribution to television, fundraising, recent successful trends, and grassroots marketing - from the point of view of a distributor, programmer, and filmmaker. This interactive panel discussion is a great opportunity to meet a dynamic group of industry insiders and discuss this important facet of independent film.

Rebeca Conget, VP Theatrical Distribution, New Yorker Films

Ruth Leitman, Filmmaker – Wildwood, NJ, Alma, Lipstick & Dynamite

Brad Lichtenstein, Documentary Filmmaker – Ghosts of Attica, Safe, Caught in the Crossfire, Almost Home

Mike Maggiore, Programmer and Publicist, Film Forum. NYC

Moderator: Alison Rostankowski, Department of Journalism & Mass Communications at the University of Wisconsin–Milwaukee.

Monday, October 24, 2005

Artists and Writers Zoey Beloff and Johanna Drucker

Monday, October 24, 7:30 p.m., MIT B-91
3203 N. Downer Ave.
Visiting Artist Zoey Beloff will present her wonderful and complex multimedia works in the intimate setting of Films’ small theater. (See www.zoebeloff.com/pages/installations.html for a deeper understanding of her work).

Tuesday, October 25, 8:00-9:30 p.m., Curtin 175
3243 N. Downer Ave.
Visiting Artist Zoey Beloff will present a Layton Lecture in which she discusses her work with historical and obsolete film technologies. She creates surreal narratives revolving around the paranormal and implements them using a combination of film, performance and multimedia. Half of the lecture will be devoted to a screening using such techniques.

Friday, October 28, 2:00 p.m., Curtin 175
3243 N. Downer Ave.
Join Johanna Drucker in a discussion about “Aesthetic Provocations in Digital Media.” Johanna has lectured and written extensively on topics related to the history of typography, artists’ books, and visual art. She is also widely respected as a book artist and visual poet.

Monday, October 10, 2005

DVD PUBLICATION CALL FOR SUBMISSIONS: "FOLIO" (Japan)

DVD PUBLICATION CALL FOR SUBMISSIONS: "FOLIO" (Japan)
Deadline: October 21, 2005; Source: folio

'FOLIO' new DVD international art collaboration.
Linking artists through mobile exhibition

Submission guidelines

WORDS - Includes poetry, prose, scripts, short stories, fiction excerpts. Word Limit 1000 Rich text format
STUDIO Paintings, sculpture, drawings/illustrations, installation, digital art. Maximum of 3 submissions per artist. Images
in JPEG format
PHOTOGRAPHY - 3 images maximum per artist. JPEG files
MUSIC - 3 songs per artist/group. MP3 or MPEG4 format
MOVING PICTURES - Films, animation. Please send stills JPEG and synopsis RTF.
PERFORMANCE - Theatre, dance, spoken word. Please send stills JPEG and synopsis RTF
INDUSTRIAL/ OBJECT DESIGN - Please send photographs in JPEG file.
FASHION- Photos of current collection JPEG

Please submit all work to submitfolio[at]gmail.com

When submitting please put in your sub category in the subject line. If you have a website please also include the url.

Deadline October 21st 2005

Copyright remains with individual artists. Non profit so we can not pay for submissions at this present time. Launch Tokyo Design Festa November 2005.

Saturday, October 01, 2005

DACSO Meeting Reminder

The next DACSO meeting is Monday Oct. 3rd at 3:45. Johnston G10

Please bring ideas for guest speakers and workshops.

See you then!