Bay View Compass Seeks Photo Intern

Photographer

Bay View Compass seeks bright, highly motivated, talented intern an excellent eye and sense of composition and narrative to take photos ranging from portraits (profiles), to live action (news) and stills (features). Requirements: college sophomore, junior, or senior majoring in photojournalism, art and/or photography. Candidate must possess digital camera and be able to upload images to the web.

The Bay View Compass is a two-year old independent, monthly newspaper that provides quality, content rich news, features, and business information. To submit your resume for the above-listed internship, please e-mail: publisher[at]bayviewcompass.com.

Spark Video Screening

Call for submissions. All video, animation, and short film work for monthly curated screenings at Spark Contemporary Art Space in Syracuse, NY. The first deadline is September 25, 2006. The first screening will also be shown at the Everson Museum of Art on October 7 as part of an ongoing film series. Please send submissions to:

Krista Birnbaum
102 Shaffer Art Building
Syracuse University
Syracuse, NY 13224-1210

Visit Spark Contemporary Art Space at http://sparkartspace.com for more information.

SparkVideo Call for Submissions

TERMINAL01 :: CALL FOR SUBMISSIONS

TERMINAL01 :: CALL FOR SUBMISSIONS

keywords = generative art, mobility, airport architecture, data visualisation, social exchange, flight patterns, air travel, collaborative networks, mapping

Year Zero One is seeking submissions for Terminal01 (T01), an interactive networked art exhibition to be lauched at Toronto Pearson International Airport in the spring of 2007. T01 will consist of a kiosk housing a touch-sensitive screen, an audio-video output, an embedded web camera, sensors and projection screen. Artists will be invited to create site-responsive computer generated work based on their experience and interpretation of air travel environs, airports, mobility, flight data and networked communities. Emphasis will be given to works with a generative component or works dealing directly with themes relevant to travel (space-time).

ONLINE SUBMISSION

Please Submit Proposals through the online submission form (Requires Flash 8 plugin). Deadline for submissions is December 1st, 2006. Artist fees paid. T01 is curated by Michael Alstad and David Jhave Johnston.

Call for Diaspora Art for "Trans: Visual Culture" Conference

Thanks to Mat Rappaport for this:

Call for Diaspora Art for "Trans: Visual Culture" Conference

A show of diaspora art is being organized in Oct as part of a program of exhibitions that will be run concurrently with the "Trans: Visual culture" conference at UW. The details of the conference are at -
http://www.visualculture.wisc.edu/Conference/trans.html

If you identify yourself as a diaspora artist or work in a diaspora aesthetic, please apply.

There will be 4 or 5 sites with works that speak to the phenomenon of trans-culturation. There will be a good amount of publicity and viewership for participating artists.

We are accepting both emailed and postmarked submissions. All entries should be received by September 30, 2006.

Email submission requirements to: pchowdhry[at]wisc[dot]edu

Submissions must include, as attachments:
upto 5 JPEGS, 640x480
Resume as PDF or Word Document

In the body of email:
Name and contact information
Corresponding image list: Title, Date, Media and Dimensions
Artist statement

For Postmarked submissions:

upto 5 JPEGS on cd, 640x480
Corresponding image list: Title, Date, Media and Dimensions
Name and contact information
Resume
Artist statement

Mail submissions to:
Pritika Chowdhry
114 Meadow Ridge Lane
Madison, WI 53704

Deadline for submissions (received): September 30, 2006

Open Positions: Emerging Media, Visual Culture

Assistant Professor, Cultural Studies of Digital Media and Technology
University of Toronto Mississauga

The Institute of Communication and Culture (ICC) at the University of Toronto at Mississauga seeks applications for a tenure-stream appointment at the rank of Assistant Professor in Cultural Studies of Digital Media and Technology with an emphasis on Visual Cultural and
Communication. The successful candidate will be associated with programs in the
Centre for Visual and Media Culture (CVMC) and in Communication, Culture
and Information Technology (CCIT). Appointment will begin on July 1,
2007.

We are seeking a specialist with an emphasis on emerging media and technologies as well as demonstrated theoretical sophistication in cultural studies of digital media and technology with an emphasis on visual culture and communication.

see 1st comment for how to apply.

-------------------------------------------------------------------------------------------------------------------------------

Assistant Professor of Asian New Media, Visual Culture, and Contemporary Art
University of Toronto at Mississauga

The Institute of Communication and Culture (ICC) at the University of Toronto at Mississauga seeks applications for a tenure-stream appointment at the rank of Assistant Professor of Asian New Media, Visual Culture and Contemporary Art. The successful candidate will be associated with programs in the Centre for Visual and Media Culture (CVMC).
Appointment will begin on July 1, 2007.

We are seeking a specialist in the areas of East and/or South Asian new media, visual culture, and contemporary art. Research and teaching interests may include digital arts and technology, the globalization of visual culture, and post-colonialism, among other areas.

see 2nd comment for how to apply.

Deja Vu: (re-)creating web history

This site differs from archive.org's wayback machine-- the dejavu.org emulator lets one look at contemporary sites with vintage browsers. Thanks to LeisureArts, once again.

The Journal of New Media and Culture

It looks like LeisureArts went on a del.icio.us tear tagging peer reviewed journals:
NMEDIAC has adopted the mission of publishing peer-reviewed papers and audiovisual pieces that contextualize encoding/decoding environments and the discourses, ideologies, and human experiences/uses of new media apparatuses. NMEDIAC provides an intellectual canvas where the cultural spaces and experiences of new media are theorized and rigorously explored within both global and local contingencies of the present and past. In particular, we publish articles that attempt inter- and intra-disciplinary research of new media texts and technologies. Works that incorporate either or both humanities and social science approaches to scholarship are welcome.

Also BeeHive Hypertext/Hypermedia Literary Journal

K A I R O S: A Journal of Rhetoric, Technology, and Pedagogy

Town Meeting on the Future of Media

From Jeff Smith, Department Chair:
The Department of Journalism and Mass Communication at University of Wisconsin-Milwaukee is a sponsor of a Town Meeting on the Future of Media on Thursday, September 7, 2006, at 6:30 p.m. The event will be held at the Helen Bader Concert Hall in UWM's Helene Zelazo Center for the Performing Arts.

A message from community artist/activist Nicolas Lampert says:
This is an open hearing; that means that anyone can and is encouraged to provide testimony to the commissioners about how well their media serves the community. This is a rare opportunity for people to come and speak to the commissioners of the FCC. Being a commissioner is an appointed position, not an elected one, so it is very rare that they come to public events and open up for discussion and criticism from the public.

From Free Press:
Milwaukee, Wisconsin
How well are your media serving you?

Do you want the media to do a better job covering issues you care about? Do you want more quality journalism? Are you wondering whether a few giant media conglomerates will provide the diverse and independent viewpoints you need?

Now is your chance to tell FCC Commissioners Jonathan Adelstein and Michael Copps how well the media are serving your community. Don’t miss this opportunity to make your voice heard!

Town Meeting on the Future of Media
Milwaukee, Wisconsin
Thursday, September 7, 2006
6:30 pm

University of Wisconsin, Milwaukee
Helen Bader Concert Hall
Helene Zelazo Center for the Performing Arts
2419 East Kenwood Blvd.

Located between Prospect and Stowell on Kenwood, kitty-corner from the student union. For parking and accessability, see: http://www.uwm.edu/map/map.pdf

View and/or download the flyer here. Join us to learn more about who owns the media in Wisconsin and offer public testimony on the proposed changes to ownership rules. All events are free and open to the public.

Production Assistants Needed

This from Mat Rappaport, Assistant Professor in Digital Media, who is using helicopters and trucks for this.

Dear students who are interested in video/film and art production:

I am looking for production assistants to fill out my crew for a video shoot this Wednesday, Thursday and Friday. One need not volunteer for all days and all times.

> A project description can be found at
> http://meme01.com/projects/span.html

The project is being shown at inova on October 13th as part of the Mary L. Nohl Artist Fellowship Exhibition.

Students interested in helping out should email me at matrapp[at]uwm.edu.

Thanks,

Mat

The World's Highest Resolution Seamless Display Ever Built

From Doreen Maloney, Associate Professor of New Media at the University of Kentucky and Former President, New Media Caucus

The World's Highest Resolution Seamless Display Ever Built
http://www.mersive.com/WorldRecordDisplay.cfm

Mersive Technologies is building the highest resolution, seamless display ever seen by the public. The display is composed of 80 digital light projectors blended into a seamless image containing 60 million pixels. These pixels will be packed into a display that is 27 feet across and 15 feet tall. The resulting 160,000 lumens of brightness will be seen for many city blocks in the heart of downtown Louisville, Kentucky as part of the 4-day International Idea Festival (www.ideafestival.com).

Imagery that has never before been seen at its native resolution will be unveiled as part of the event.

Call for Imagery, Art, and Content

The display will showcase media from artists and content creators across many domains including science, engineering, medicine, gaming, entertainment, and art. We are looking for media that can take advantage of this increased resolution as well as the public nature of the project. Works selected will reflect both technical and conceptual possibilities presented by the future of high-resolution displays.

Content will be edited into a continuous video loop that will display contributions throughout the 4-day event from 8am to 10pm. Accepted contributors will retain the copyright to their material and will receive acknowledgment on the display, on a printed schedule at the event, and at Mersive's website. All electronically contributed content will be deleted at the end of the event.

See Comments for Submission Details:

In War/At War: The Practice of Everyday

From Mat Rappaport via rhizome.org
CALL FOR SUBMISSIONS

War affects the daily life of all societies, cultures, families and individuals. The result is a climate of war, including the physical, economic, and psychological conditions created by the direct and indirect connection to this kind of violent conflict. We (in the broadest sense) generate and define the everyday, all becoming participants that shape perceptions of daily experience. In War our adjustments to everyday practices and daily life can reflect its radical climate, pointing to the nature of conflict and ones relationship to experience. We adapt. These adaptations vary depending on personal experiences and define one’s relationship to war and inform one’s everyday life.

In War/At War: The Practice of Everyday is an exhibition and series of events that investigates variations on everyday practices, projects, and tactics explored by individuals whom cope, adapt and adjust to War and the climate it produces.

Schedule
September 7, 2006 – Submission deadline
September 14, 2006 – Notification of acceptances
September 28, 2006 – Artwork due at OPENSOURCE
October 5, 2006 7-10pm – Opening reception

Please download the full Call for Submissions (pdf) for information about the exhibitions and our exciting program of events and talks

More about "In War/At War: The Practice of Everyday"

Select Media Festival 5

CALL FOR PROJECTS, WORKSHOPS, VIDEOS AND ART ACTION
Deadline for projects: September 7, 2006
contact: edmar ed(at)lumpen.com
www.selectmediafestival.org

Select Media Festival 5 takes place Oct 13 to Oct 22, 2006 throughout
Chicago.

SMF5: The DIY Academy
We are seeking documentaries, short films, animations, new media projects, workshops, skillshares, presentations and media to share and present.


Select Media Festival features video programs, brand new media, installations, performance programs, street art, public projects as well as experimental and advanced music. Our goal is to share innovative art and technology projects as well as culturally and socially charged work.
The festival is produced by Public Media Institute and Lumpen. It is organized by artists and activists from Chicago.

This years festivals components include:

-The Film/Video Program: Docs, shorts, animation. kick ass work.

-TLVSN: we will be airing and creating cable tv episodes during the festival. You can send us your tv to air on cable access too.

-The Other net and The Brand New Media: Net based and technology driven projects, and the new media channels.

-Performance Program: Live music and performance.

DIY Academy : How to XYZ :: This year we want to share ideas strategies and practical applications for intervention, agitation and public. Workshops, skillshares, presentations and ideas on how to __ the __ are welcome.

Please help us re-ignite dormant forces.

www.selectmediafestival.org


Send material to:
Select Media Festival 5
960 W 31st St
Chicago Il 60608
U$A

Internship Opportunity: QZAP-DAC Partnership

See the comments or the pdf for more details.

The Queer Zine Archive Project and the Digital Arts and Culture program is currently seeking an intern for the 2006-2007 academic year. This is an excellent opportunity for students interested in LGBT history and culture, digital arts, independent publishing, zines, digital archiving, and open source software to earn 6 credits (3/semester) and a small stipend. Attached is the call for applicants. Please pass this on to people in and around UWM that you think might be interested. Though there is no formal deadline, the last day to add classes for the fall semester is September 18th.
Thanks on behalf of the QZAP-DAC Partnership.

Milo Miller
Co-Founder
the Queer Zine Archive Project
http://www.qzap.org

QZAP_DACInternship.pdf

BIOS: The Poetics of Life in Digital Media

This from Randall Szott of placekraft and LeisureArts via Peter Ciccariello
and the Writing & the Digital Life blog:

Announcing BIOS: The Poetics of Life in Digital Media, hosted by the Center for Literary Computing at West Virginia University in Morgantown, WV. September 14-16, 2006.

BIOS: The Poetics of Life in Digital Media is an interdisciplinary symposium on the re-invention of life in digital media. The term BIOS captures capture boundary-crossing and hybridization of human and machine. For the ancient Greeks, BIOS referred to particular forms of life rather than life in general (zoe). BIOS therefore, was the form of life specific to the development of human society and political culture.
Understanding BIOS means understanding how humans adapt nature into culture. In computer science, by contrast, BIOS means something quite different: the basic input output system, the lowest level of code that allows a computer to run. BIOS is burnt into computer hardware and enables the machine to boot and run software programs and media. The two meanings of BIOS resonate with each other as basic requirements for a social system, whether in civic space or in cyberspace.

DAC/BLOG Nears, Surpasses Ten Thousandth Hit

Congratulations to c-24-15-231-167.hsd1.il.comcast.net from the United States who on Monday May 22 at 18:05:48 (6:05 pm) CST 2006 saw the counter on the DAC/BLOG go from four figures to five figures. That's a one with four zeros after it.

Anticipation is growing as the Digital Arts and Culture Blog approaches its ten thousandth (10,000th) hit. The filter style blog which posts events, calls for entries and proposals, courses, and media curiosities was inaugurated on February 24, 2004 by this blogger and program coordinator, Marc Tasman. This is the blog's ninety-ninth (99th) post coincidentally, and by analyzing past tracking results, I expect that the counter will add a digit and roll over next Friday, May 26th, 2006.
However, DAC/BLOG's participation in the popular_project (a del.icio.us and technorati tag, see also PopularProject) may accelerate the hit total. Suspenseful, isn't it?

Google's "Summer of Code"

From Sandra Braman:

It's too late for this year, but this is an annual opportunity for students (who earn $5K if they're chosen to participate) who are interested in further developing their open source skills and want to contribute to open source projects.

The Console-ing Passions International Conference on Television, Audio, Video, New Media and Feminism

from Elana Levine

The Console-ing Passions International Conference on Television, Audio, Video, New Media and Feminism will be held in Milwaukee May 25 – 27, 2006. For program and registration information, please visit our website. Please direct questions to cptv[at]uwm[dot]edu. Hope to see many of you there!

ONE HOUR VIDEO

Wednesday May 17th from 8:00-9:00 pm
ACL 120
________________

Students from Mat Rappaport's Video and Audio Strategies course will
be presenting their short video works. The videos ask important
questions such as " what is an art video anyway?, "why don't men
pluck their beards?", "What does a years worth of butter consumption
look like anyhow?" and "will the world end by media death or nuclear
catastrophe?". Hmm. I want to know, don't you?

So, please join us and feel great.

History and Change, International Digital Media Call for Papers

Thanks, Jeff Smith:
History and Change, International Digital Media Arts Association

Call for Papers Deadline: 2006-08-01

The Journal of the International Digital Media and Arts Association is currently seeking submissions for a special themed issue on History and Changing Paradigms: the Role of Digital Media and Arts in How We View our World. The Journal of The International Digital Media and Arts Association is a quarterly seeking to respond to the rapidly developing field of digital media and arts in a variety of settings-academic, educational, artistic, political, and social. The editorial board
invites original submissions that consider the development, application, and understanding of digital media and arts; the purpose of the journal is promote awareness of this growing field and to prompt discussion about the issues that are a part of our increasingly digital world. In this special issue, we seek work that considers how digital media and arts have been contributing to changes in the ways that people see their world, both literally and conceptually, with a particular emphasis on the "idea" of History.

PLEASE CONTACT SHARON ROSS FOR FULL CALL GUIDELINES AS TO LENGTH, FORMAT.

Sharon Ross
Columbia College Chicago
sross[at]colum[dot]edu

JMC courses for DAC credit

Consider these Fall 2006 courses for DAC practicum credit:

JMC 280(LEC-001): Introduction to Digital Video for Documentary

Instructor: Tess Gallun

Course Description:

This course is for students interested in learning how to create long-format, non-fiction narratives through the use of digital video. Terms and techniques appropriate for working in visual media will be introduced as well as distinct shooting styles and editing approaches for developing a concise documentary-style story. Coursework will encompass learning how to shoot and edit video packages intended for television documentaries, educational videos, and investigative journalism stories. This course will provide practical hands-on training with professional field equipment and non-linear editing software to begin to prepare students for a successful career creating digital video narratives.

JMC 660 Advanced Documentary Journalism (Prereq: jr st.)

Instructor: Alison Rostankowski

Course Description:

This course is for students interested in learning how to produce a broadcast quality documentary fit for television or film festival entry. Student documentaries produced in this class have aired on Milwaukee Public television, screened at the Board of Regents Meeting and won the top prize at the Detroit Documentary Film Festival. This course focuses on how to research, produce, direct and write non-fiction narratives. The course instructor will guide you through the creative process, help shape your idea into a narrative, and introduce you to the many skills that a professional storyteller needs to master out in the “real world.” You will learn how to pitch an idea for a show, how to interview subjects, and discover important techniques for writing an engaging script. Students will also be introduced to in-depth hostorical research techniques, and licensing music and archival footage.